Humorous stories, American; United States -- Social life and customs -- Fiction
broke into a disjointed checking off of the particulars--his potato
cooling in mid-air meantime, and his mouth making a reach for it
occasionally, but always bringing up suddenly against a new and still
more direful performance of my hero. At last he looked his stunned and
rigid comrade impressively in the face, and said, with an expression of
concentrated awe:
“Jim, he b'iled his baby, and he took the old 'oman's skelp. Cuss'd if I
want any breakfast!”
And he laid his lingering potato reverently down, and he and his friend
departed from the restaurant empty but satisfied.
He NEVER GOT DOWN to where the satire part of it began. Nobody ever did.
They found the thrilling particulars sufficient. To drop in with a poor
little moral at the fag-end of such a gorgeous massacre was like
following the expiring sun with a candle and hope to attract the world's
attention to it.
The idea that anybody could ever take my massacre for a genuine
occurrence never once suggested itself to me, hedged about as it was by
all those telltale absurdities and impossibilities concerning the “great
pine forest,” the “dressed-stone mansion,” etc. But I found out then,
and never have forgotten since, that we never read the dull explanatory
surroundings of marvelously exciting things when we have no occasion to
suppose that some irresponsible scribbler is trying to defraud us; we
skip all that, and hasten to revel in the blood-curdling particulars and
be happy.
THE UNDERTAKER'S CHAT
“Now that corpse,” said the undertaker, patting the folded hands of
deceased approvingly, “was a brick--every way you took him he was a brick.
He was so real accommodating, and so modest-like and simple in his last
moments. Friends wanted metallic burial-case--nothing else would do.
I couldn't get it. There warn't going to be time--anybody could see
that.
“Corpse said never mind, shake him up some kind of a box he could stretch
out in comfortable, he warn't particular 'bout the general style of it.
Said he went more on room than style, anyway in a last final container.
“Friends wanted a silver door-plate on the coffin, signifying who he was
and wher' he was from. Now you know a fellow couldn't roust out such a
gaily thing as that in a little country-town like this. What did corpse
say?
“Corpse said, whitewash his old canoe and dob his address and general
destination onto it with a blacking-brush and a stencil-plate, 'long with
a verse from some likely hymn or other, and p'int him for the tomb, and
mark him C. O. D., and just let him flicker. He warn't distressed any
more than you be--on the contrary, just as ca(,)'m and collected as a
hearse-horse; said he judged that wher' he was going to a body would find
it considerable better to attract attention by a picturesque moral
character than a natty burial-case with a swell door-plate on it.
Public-domain text, read in full here on John Shaqi.
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