Sketches of Aboriginal Life: American Tableaux, No. 1Vide, V. V.
History
Sketches of Aboriginal Life: American Tableaux, No. 1
Vide, V. V.
Historical fiction; Indians of North America -- Fiction; Mexico -- History -- Conquest, 1519-1540 -- Fiction
It was a clear bright summer morning. There was a balmy sweetness in the
air, and melody in all the groves; but they won not the ear, they
regaled not the sense of Minaree, whose heart sunk within her, as she
saw her beloved Ash-te-o-láh launch his canoe into the stream, and dash
away over its glassy surface, like a swallow on the wing. Ere he dipped
his paddle in the water, he turned and gracefully waved her a parting
salute, the affectionate desire to stay and soothe the troubled spirit
of her dream, still struggling with that lofty pride which told him that
he had never yet shrunk from any form of danger, or known the name of
fear.
The lands bordering on the Katahba, were covered, for many a league,
with a dense and thriving population. More than twenty tribes were
clustered there into one powerful fraternity, capable of bringing two
thousand warriors into the field. Their grounds were extensively
cultivated, their forests abounded with the choicest game, and their
rivers with fish, and they regarded themselves as the most prosperous of
the nations.
Nothing could exceed the romantic beauty and loveliness of some of their
villages. Stretching along the banks of the rivers, and embowered deeply
in the luxurious forests of that favored clime, the numerous wigwams,
simple enough in their construction, but adorned here and there with the
trophies of war or the chase, and often alive with the athletic sports
of the young Indians, formed a scene as animated and picturesque as ever
glowed on the bosom of the earth--a scene of patriarchal life, such as
cannot now be found among all the families of men.
Conspicuous among them all was the wigwam of Ash-te-o-láh. The hand of
Minaree was visible in the tasteful arrangement of a few simple
ornaments about the door, and the trailing of a white flowering vine
over its walls, which fell in luxuriant festoons, or floated in feathery
pensiles on every side.
Minaree stood in the door of the wigwam, watching the retreating form of
her lord, as his light canoe swept down with the current of the river,
till it was lost in the distance, and then pensively, and as if
unconsciously to herself, resumed her solemn chant, weaving the while a
wreath of her wild flowering vine.
He has gone to the chase, my brave hunter has gone--
He will not return in the moonlight, or morn;
Minaree shall look out at the cabin door,
But her bold brave hunter shall come no more;
There's a cloud in her wigwam--a fire in her brain,
For her warrior hunter shall ne'er come again.
Public-domain text, read in full here on John Shaqi.
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