Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
My readers must not expect either to be dazzled, or to have their
amazement and admiration excited, and yet it will repay the trouble
to accompany me through the tortuous streets of Khiva and the bazaar
with its vaulted roof to the Ark (the Royal Castle.) Like all the
residences of sovereigns in Central Asia, this castle is strangely
fortified and surrounded by a double wall. Through a narrow gate
we enter into the first court, which is crowded with the royal
body-guard and other soldiers and servants. Near the entrance two
cannons are planted, brought thither by the mighty Nadir, and
left behind on his hasty retreat. They are decorated with pretty
symmetrical ornaments, and seem to have been made at Delhi. After
having passed the second gate, we enter a more spacious court, with
a mean looking building on one side, not unlike an open coach-house;
it is here that the high officials pass the hours of office, the
Mehter (Minister of the Interior) presiding. To the left of this
building is a kind of guard-house, in which divers servants,
policemen and executioners live during the day time, awaiting the
commands of their royal master. A small gate leads between these two
buildings, to the residence of His Majesty of Khiva. On the outside
it resembles a poor mud-hut, like all the other houses in the town,
and is of course without windows, nor is any particular luxury to
be met with inside, except several large and valuable carpets, a
few sofas and round cushions, together with a considerable number
of chests--the entire furniture of this place--which serve in
some degree to remind us of the princely rank of the master. The
number of apartments is very small, and as every where the case, is
divided into the Harem, (the rooms set apart for the women,) and the
Selamdjay, (the reception hall.)
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