Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
one to three fersakh in length; on the former only two year olds
are admitted, on the latter full-grown strong horses. Two villages
are chosen, lying at this distance apart, and whilst the crowd are
assembling in one of them, a toy emini, steward, is appointed in
the other. It is his duty to see that a fair start is effected,
and that horse is proclaimed the winner, who first passes the goal
which is fixed at the entrance of the opposite village. The horses
are trained for several weeks for the race, and are ridden by young
boys, who wear on this occasion short and tight-fitting clothes,
very similar to those worn by jockeys in England.
The interval between the fatiha toy and the marriage is fixed
according to the age of the "promessa." A week before the wedding,
the toyluk (food for the wedding) is sent by the man to the house
of his future wife; and consists of meat, flour, rice, fat, sugar
and fruit. Soon after, his mother and nearest female relations
arrive, who have been invited as guests for several weeks. Two days
before the beginning of the festival the future husband mounts his
horse, and, surrounded by his friends, all of whom, as well as their
horses, are decked out in the gayest colours, goes also to the home
of her parents, his father alone remaining behind, not for the sake
of taking care of the house, but in order to make all necessary
preparations for the due reception of the newly-married couple on
their return.
Meanwhile, in the house of the future wife, where the first days
of the marriage-feast are celebrated, the greatest bustle and
activity prevails. The young girls have to do the cooking, and are
fully employed with their gigantic cauldrons. The quantity of food
brought together for an Œzbeg wedding is as enormous as the
appetite of the numerous guests. Whilst the young girls are busy at
cooking and baking, the young swains carry on a lively flirtation
with them. The galant homme, who is lucky enough to obtain from his
beloved a bone or some tit-bit out of the cauldron, regards the gift
as a signal sign of favour, but still more lucky is he who gets a
few sharp raps with the cooking ladle, the highest of all favours,
and appreciated far above the daintiest morsels. Men and women
gather round the fire-place in groups, laughing, talking, joking and
shrieking, whilst musicians play and sing, and children shout and
yell. These noises are mingled with the bleating of sheep, barking
of dogs, neighing of horses and braying of donkeys, while loud above
the general hubbub is heard the clown's stentorian voice in coarse
sallies of Œzbeg wit and humour. He is the very life of the whole
party. His gesticulations, the grimaces with which he accompanies
his jests, give rise to continual bursts of laughter. Now he mimics
this person or that, now he tells of some droll prank or merry
adventure, or whistles like a bird and mews like a cat, and thus he
has to continue without interruption, although from sheer exertion
Public-domain text, read in full here on John Shaqi.
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