Sketches of social life in IndiaBuckland, C. T. (Charles Thomas)
History
Sketches of social life in India
Buckland, C. T. (Charles Thomas)
British -- India -- Social life and customs; India -- Social life and customs
The ball-room at Sonepore is a well-proportioned room which holds about
two hundred people conveniently. The music is provided by the regimental
bands in turns, and is usually very good. A long verandah and corridor
outside the ball-room, not too brilliantly lighted up, afford a
convenient retreat for those who wish to improve the opportunities of
the dance by a little further conversation with their partner before she
returns to her chaperone, or is carried off by the man to whom she is
engaged for the next dance. If you wander along the corridor you will
come first to the tea-room, and then to the supper-room, which will not
be opened before midnight. Dancing is usually kept up with much spirit;
and as there are always more gentlemen than ladies, the latter seldom
have to sit out a dance for want of a partner. But, of course, one ball
is very like another ball, and they must all come to an end. Some
prudent mammas insist on going away before supper, others more
indulgently remain throughout the whole of the programme; but at last
“God save the Queen” admonishes even the latest lingerers that it is
time to go home. We must not follow the young ladies to their tents; but
it is very well known that they do sit up there for a very long time,
laughing and talking over all the incidents of the ball. To the men the
hour after the ball is often one of grateful refreshment, as we gather
together in the comfortable arm-chairs of the _al fresco_ drawing-room,
and sit wrapped in our great-coats, smoking the fragrant weed, and
protecting ourselves from the cold night air with steaming glasses of
whisky-and-water, and discussing the events of the day and the plans of
the morrow, until we retreat to our tents comforted with the knowledge
that there will be no big gun fired to wake us at daybreak, and there
will be no horrid band marching through the camp to disturb our
slumbers. And so end the labours of a long Tuesday.
Public-domain text, read in full here on John Shaqi.
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