Science fiction; Space ships -- Fiction; Space warfare -- Fiction
"He's needed a good ducking for ages!" Dorothy cried, and she and
several other girls threw themselves upon him. Over and around him the
lithe forms flashed, while the rest of the young people splashed water
impartially over all the combatants and cheered them on. In the midst of
the battle the signal sounded to end the period of exercise.
"Saved by the bell," Seaton laughed as, thoroughly ducked and almost
half drowned, he was allowed to swim ashore.
When all had returned to the common room of the observatory and had
seated themselves, Orlon took out his miniature ray-projector, no larger
than a fountain pen, and flashed it briefly upon one of the hundreds of
button-like lenses upon the wall. Instantly each chair converted itself
into a form-fitting divan, inviting complete repose.
"I believe that you of Earth would perhaps enjoy some of our music
during this, the period of relaxation and repose--it is so different
from your own," Orlon remarked, as he again manipulated his tiny
force-tube.
* * * * *
Every light was extinguished and there was felt a profoundly deep
vibration--a note so low as to be palpable rather than audible; and
simultaneously the utter darkness was relieved by a tinge of red so dark
as to be barely perceptible, while a peculiar somber fragrance pervaded
the atmosphere. The music rapidly ran the gamut to the limit of
audibility and, in the same tempo, the lights traversed the visible
spectrum and disappeared. Then came a crashing chord and a vivid flare
of blended light; ushering in an indescribable symphony of sound and
color, accompanied by a slower succession of shifting, blending odors.
The quality of tone was now that of a gigantic orchestra, now that of a
full brass band, now that of a single unknown instrument--as though the
composer had had at his command every overtone capable of being produced
by any possible instrument, and with them had woven a veritable tapestry
of melody upon an incredibly complex loom of sound. As went the harmony,
so the play of light accompanied it. Neither music nor illumination came
from any apparent source; they simply pervaded the entire room. When the
music was fast--and certain passages were of a rapidity impossible for
any human fingers to attain--the lights flashed in vivid, tiny pencils,
intersecting each other in sharply drawn, brilliant figures, which
changed with dizzying speed; when the tempo was slow, the beams were
soft and broad, blending into each other to form sinuous, indefinite,
writhing patterns, whose very vagueness was infinitely soothing.
"What do you think of it, Mrs. Seaton?" Orlon asked.
"Marvelous!" breathed Dorothy, awed. "I never imagined anything like it.
I can't begin to tell you how much I like it. I never dreamed of such
absolute perfection of execution, and the way the lighting accompanies
the theme is just too perfectly wonderful for words! It was incredibly
brilliant."
Public-domain text, read in full here on John Shaqi.
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