Science fiction; Space ships -- Fiction; Space warfare -- Fiction
Rovol seated himself beside the younger man, like one organist joining
another at the console of a tremendous organ. Seaton's nimble fingers
would flash here and there, depressing keys and manipulating controls
until he had exactly the required combination of forces centered upon
the torpedo next to issue. He then would press a tiny switch and upon a
panel full of red-topped, numbered plungers; the one next in series
would drive home, transferring to itself the assembled beam and
releasing the keys for the assembly of other forces. Rovol's fingers
were also flying, but the forces he directed were seizing and shaping
material, as well as other forces. The Norlaminian physicist, set up one
integral, stepped upon a pedal, and a new red-topped stop precisely like
the others and numbered in order, appeared as though by magic upon the
panel at Seaton's left hand. Rovol then leaned back in his seat--but the
red-topped stops continued to appear, at the rate of exactly seventy per
minute, upon the panel, which increased in width sufficiently to
accommodate another row as soon as a row was completed.
Rovol bent a quizzical glance upon the younger scientist, who blushed a
fiery red, rapidly set up another integral, then also leaned back in his
place, while his face burned deeper than before.
"That is better, son. Never forget that it is a waste of energy to do
the same thing twice with your hands and that if you know precisely what
is to be done, you need not do it with your hands at all. Forces are
tireless, and they neither slip nor make mistakes."
"Thanks, Rovol--I'll bet this lesson will make it stick in my mind,
too."
"You are not thoroughly accustomed to using all your knowledge as yet.
That will come with practice, however, and in a few weeks you will be as
thoroughly at home with forces as I am."
"Hope so, Chief, but it looks like a tall order to me."
Finally the last torpedo was dispatched, the tube closed, and Seaton
moved the projection back up into the council chamber, finding it empty.
Public-domain text, read in full here on John Shaqi.
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