"Do you remember, Dick, that I hailed you once as Columbus at San Salvador?" asked Margaret unsteadily from Crane's encircling arm. "What could a man be called who from the sheer depths of his imagination called forth the means of saving from destruction all the civilization of millions of entire worlds?" "Don't talk that way, please, folks," Seaton was plainly very uncomfortable. He blushed intensely, the burning red tide rising in waves up to his hair as he wriggled in embarrassment, like any schoolboy. "Mart's done most of it, anyway, you know; and even at that, we ain't out of the woods yet, by forty-seven rows of apple trees." "You will admit, will you not, that we can see our way out of the woods, at least, and that you yourself feel rather relieved?" asked Crane. "I think we'll be able to pull their corks now, all right, after we get some dope. It's a cinch they've either got the stuff we need or know how to get it--and if that zone is impenetrable, I'll bet they'll be able to dope out something just as good. Relieved? That doesn't half tell it, guy--I feel as if I had just pitched off the Old Man of the Sea who's been sitting on my neck! What say you girls get your fiddle and guitar and we'll sing us a little song? I feel kind of relieved--they had me worried some--it's the first time I've felt like singing since we cut that warship up." Dorothy brought out her "fiddle"--the magnificent Stradivarius, formerly Crane's, which he had given her--Margaret her guitar, and they sang one rollicking number after another. Though by no means a Metropolitan Opera quartette, their voices were all better than mediocre, and they had sung together so much that they harmonized readily. "Why don't you play us some real music, Dottie?" asked Margaret, after a time. "You haven't practiced for ages." "I haven't felt like playing lately, but I do now," and Dorothy stood up and swept the bow over the strings. Doctor of Music in violin, an accomplished musician, playing upon one of the finest instruments the world has ever known, she was lifted out of herself by relief from the dread of the Fenachrone invasion and that splendid violin expressed every subtle nuance of her thought. She played rhapsodies and paeans, and solos by the great masters. She played vivacious dances, then "Traumerei" and "Liebestraum." At last she swept into the immortal "Meditation," and as the last note died away Seaton held out his arms. "You're a blinding flash and a deafening report, Dottie Dimple, and I love you," he declared--and his eyes and his arms spoke volumes that his light utterance had left unsaid. * * * * *