Vashti! It was a far cry from this September night to the spare-bedroom
at Orchid Lodge, with the red winking eye of the winter’s fire, the
tapestry of Absalom swinging by his hair and the little boy sitting up
in bed, spellbound by the enchantment of a woman’s voice. A far cry to
the marriage-box, to the wistful consultations with Harriet and to that
same ecstasy of love, unfulfillable then, that he was dreaming now!
He wondered how much of his passion for Desire was the outcome of that
ghostly passion for her mother. It was like a faery-story which, with
pauses and diversions, had been telling itself throughout his life.
Vashti had been the enchantress who, by lifting her voice, had created
his hopes and his despairs. Her voice had lured Desire from him in the
darkened silence of the farmhouse. And now, with starry eyes, he was
going to her that she might give him back Desire.
The coolness and rustling of trees! To his left a river black and silent
To his right a rampart of houses, honey-combed with fire. Flitting on
speedy errands, cars darted through the shadows with staring eyes. He
caught glimpses of women, and of men who sat beside them. Men and women
always and everywhere together! Where were they going? What did they
talk about? With them lovers’ ways were an old story, but with him----
The conductor called from the top of the steps and pointed to an
apartment-house. While his name was being telephoned up, he took in his
surroundings. All this was familiar to her. He compared it with Eden
Row, and was filled with hesitations. Everywhere his eye detected
luxury. She might be wealthy. He had never thought of that; he had only
thought of what he could give her. Their ways of life must be utterly
divergent. What had he to offer? And he had come to America to marry
her!
He was told he was expected. The elevator shot up and halted; the boy
directed him to a door in the passage. As he stood waiting, he heard the
sound of a piano played softly. The moment he was admitted, the playing
stopped.
In a luxurious room illumined by a solitary shaded lamp, a woman was
seated with her hands upon the keyboard. The window was open and a
breeze rustled the curtains. Distant across the river in the abyss of
night lights twinkled like stars in an inverted firmament. The air was
filled with a summer fragrance: it drifted from a bowl of lilies of the
valley which had been placed on the piano beneath the lamp.
The woman turned her head slightly; he could just begin to see her
profile. Her voice reached him softly:
“Don’t speak. I was remembering. It pains, and yet it’s good to
remember--sometimes, Teddy.”
Her hands commenced to wander, picking out chords, starting little airs,
leaving them abruptly and starting them afresh.
Public-domain text, read in full here on John Shaqi.
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