Sleep Walking and Moon Walking: A Medico-Literary StudySadger, J.
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Sleep Walking and Moon Walking: A Medico-Literary Study
Sadger, J.
Psychoanalysis; Sleepwalking
the actor and playwright of doubtful fame, there would he be seen again
as the honored possessor of house and land. There and elsewhere should
the people, who had counted him among the proletariat, learn to know him
as a gentleman, that is as a member of the lesser nobility.... In the
year 1596 his father, apparently at his instigation and with his
support, entered a petition at Heralds College for the bestowal of a
coat of arms. The granting of the coat of arms signified the ceremonial
entry into the gentry." The ambition of the small child is to become as
great as the father, and so later that of the man is to exalt the father
himself, to make him king. One sees how close and how very personal the
theme of ambition was to Shakespeare.
Before I go on to analyze further what the poet has woven into his
treatment of "Macbeth" from his own purely personal experience, we must
first consider a technical factor which is common to all dramatists. It
has been discovered that Shakespeare projected his own complexes into
his tragedies, complexes which are in no way simple, but which show, for
example, close to the hatred even as great a love as well as other
contrary elements. He is fond of separating his dramatic projection into
two personalities wherever his feeling is an ambivalent one, these two
forms standing in contrast to one another. He splits his ego into two
persons, each of which corresponds to only one single emotional impulse.
That is a discovery which of course was not made for the first time by
psychoanalysis. Minor, for instance, writes in his book on Schiller:
"Only in conjunction with Carlos does Posa represent Schiller's whole
nature, the wild passion of the one is the expression of the sensual
side, the noble exaltation of the other the stoical side of his
nature.... Schiller has not drawn this figure from external nature; it
has not come to him from without but he has taken it deep from his inner
being." Otto Ludwig expresses himself similarly: "Goethe often separates
a man into two poetic forms, Faust-Mephisto, Clavigo-Carlos."
Public-domain text, read in full here on John Shaqi.
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