"But when all is said and done," he muttered, "what do such as these
get out of it? Nothing--so far as we can see. They're victims, they
and the innocent beasts, thrust into a world which tortures and
devours them. Why? Why? Why?"
"There is nothing to do but leave that everlasting Why to God," said
I, painfully.
The Butterfly Man looked up and one saw that cold sword-straight,
diamond-hard something in his eyes:
"Parson," said he, grimly, "you're a million miles off the right
track--and you know it. Leaving things to God--things like poor kids
dying because they're gouged out of their right to live--is just about
as rotten stupid and wrong as it can well be. God's all right; he does
his part of the job. You do yours, and what happens? Why, my
butterflies answer that! I'm punk on your catechism, and if _this_ is
all it can teach I hope I die punk on it; but as near as I can make
out, original sin is leaving things like this"--and he looked at his
small friend with her doll on her arm--"to God, instead of tackling
the job yourself and straightening it out."
The child's mother, a gaunt creature without a trace of youth left in
her, although she could not have been much more than thirty, shambled
over to a chair on the other side of the bed. She wore a faded red
calico wrapper--a scrap of it had made the doll's frock--and a
blue-checked apron with holes in it. Her hair was drawn painfully back
from her forehead, and there was a wispy fringe of it on the back of
her scraggy neck. In her dull eyes glimmered nothing but the innate
uneasiness of those who are always in need, and her mouth had drawn
itself into the shape of a horseshoe. There is no luck in a horseshoe
hung thus on a woman's face. One might fancy she felt no emotion, her
whole demeanor was so apathetic; but of a sudden she leaned over and
took up one of the thick shining curls; half smiling, she began to
wrap it about her finger.
"I useter be right smart proud o' Louisa's hair," she remarked in a
drawling, listless voice. "She come by it from them uppidy folks o'
her pa's. I've saw her when she wasn't much more 'n hair an' eyes,
times her pa was laid up with the misery in his chest, an' me with
nothin' but piecework weeks on end.
"... She was a cu'rus kind o' child, Louisa was. She sort o'
'spicioned things wasn't right, but you think that child ever let a
squeal out o' her? Not her! Lemme tell you-all somethin', jest to show
what kind o' a heart that child had, suhs."
With a loving and mothering motion she moved the bright curl about and
about her hard finger. She spoke half intimately, half garrulously;
and from the curl she would lift her faded eyes to the Butterfly
Man's.
"'T was a Sarrerday night, an' I was a-walkin' up an' down, account o'
me bein' awful low in the mind.
"'Ma,' says Louisa, 'I'm reel hungry to-night. You reckon I could have
a piece o' bread with butter on it? I wisht I could taste some bread
with butter on it,' says she.
Public-domain text, read in full here on John Shaqi.
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