Behind all this gathering of forces stood an almost unguessed figure.
Not the lovely white-haired lady of the Parish House; not big
Westmoreland; not handsome Laurence, nor outspoken Miss Sally Ruth
with a suffrage button on her black basque; but a limping man in gray
tweeds with a soft felt hat pulled down over his eyes and a butterfly
net in his hand. That net was symbolic. With trained eye and sure hand
the naturalist caught and classified us, put each one in his proper
place.
Keener, shrewder far than any of us, no one, save I alone, guessed the
part it pleased him to play. Laurence was hailed as the Joshua who was
to lead all Appleboro into the promised land of better paving, better
lighting, better schools, better living conditions, better city
government--a better Appleboro. Behind Laurence stood the Butterfly
Man.
He seldom interfered with Laurence's plans; but every now and then he
laid a finger unerringly upon some weak point which, unnoticed and
uncorrected, would have made those plans barren of result. He amended
and suggested. I have seen him breathe upon the dry bones of a
project and make it live. It satisfied that odd sardonic twist in him
to stand thus obscurely in the background and pull the strings. I
think, too, that there must have been in his mind, since that morning
he had watched the bluejay destroy his nest, some obscure sense of
restitution. Once, in the dark, he had worked for evil. Still keeping
himself hidden, it pleased him now to work for good. So there he sat
in his workroom, and cast filaments here and there, and spun a web
which gradually netted all Appleboro.
There was, for instance, the _Clarion_. We had had but that one
newspaper in our town from time immemorial. I suppose it might have
been a fairly good county paper once,--but for some years it had
spluttered so feebly that one wondered how it survived at all. In
spite of this, nobody in our county could get himself decently born or
married, or buried, without a due and proper notice in the _Clarion_.
To the country folks an obituary notice in its columns was as much a
matter of form as a clergyman at one's obsequies. It simply wasn't
respectable to be buried without proper comment in the _Clarion_.
Wherefore the paper always held open half a column for obituary
notices and poetry.
These dismal productions had first brought the _Clarion_ to Mr.
Flint's notice. He used to snigger at sight of the paper. He said it
made him sure the dead walked. He cut out all those lugubrious and
home-made verses and pasted them in a big black scrapbook. He had a
fashion of strolling down to the paper's office and snipping out all
such notices and poems from its country exchanges. A more ghoulish and
fearsome collection than he acquired I never elsewhere beheld. It was
a taste which astonished me. Sometimes he would gleefully read aloud
one which particularly delighted him:
Public-domain text, read in full here on John Shaqi.
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