Snake and Sword: A NovelWren, Percival Christopher
General
Snake and Sword: A Novel
Wren, Percival Christopher
British -- India -- Fiction
After striking a judicious balance between what he should eat for
dinner and what he should reserve for breakfast, he fell to, ate
sparingly, lit his pipe, and gazed around the wretched room, of which
the walls were blue-washed with a most offensive shade of blue, the
bare floor was frankly dry mud and dust, the roof was bare cob-webbed
thatch and rafter, and the furniture a rickety table, a
dangerous-looking cane-bottomed settee and a leg-rest arm-chair from
which some one had removed the leg-rests. Had some scoundrelly
_oont-wallah_ pinched them for fuel? (No, Damocles, an ex-Colonel of
the Indian Medical Service “pinched” them for splints.) A most
depressing human habitation even for the most cheerful and care-free of
souls, a terrible place for a man in a dangerous mental state of
unstable equilibrium and cruel agony…. Only thirty miles away—and a
camel at the door. _Lucille_ still within a night’s ride. Lucille and
absolute joy…. The desert and certain death—a death of which she must
be assured, that in time she might marry Ormonde Delorme or some such
sound, fine man. Abdul must find his body—and it must be the body not
of an obvious suicide, but of a man who, lost in the desert, had
evidently travelled in circles, trying to find his way to the hut he
had left, on a shooting expedition. Yes—he knew all about travelling in
circles—and what he had done in ignorance (as well as in agony and
horror), he would now do intentionally and with grim purpose. Hard on
the poor camel!… Perhaps he could manage so that it was set free in
time to find its way back somehow. It would if it were loosed within
smell of water…. He must die fairly and squarely of hunger and
thirst—no blowing out of brains or throat-cutting, no trace of suicide;
just lost, poor chap, and no more to be said…. Death of _thirst_—in
that awful desert—_again_—No! God in Heaven he had faced the actual
pangs of it once, and escaped—he could _not_ face it again—he wasn’t
strong enough … and the unhappy man sprang to his feet to rush from the
room and saddle-up the camel for—Life and Lucille—and then his eye fell
on the Sword, the Sword of his Fathers, brought to him by Lucille, who
had said, “Have it with you always, Dearest. It can _talk_ to you, as
even I can not….”
He sat down and drew it from the incongruous modern case and from its
scabbard. Ha! What did it say but “_Honour_!” What was its message but
“Do the right thing. Death is nothing—Honour is everything. Be worthy
of your Name, your Traditions, your Ancestors—”
He would die.
Let him die that Lucille’s honour, Lucille’s happiness, Lucille’s
welfare, might live—and he kissed the hilt of the Sword as he had so
often done in childhood. Having removed boots, leggings and socks, he
lay down on the settee—innocent of bedding and pillows, pulled over him
the coat that had been rolled and strapped trooper-fashion behind the
saddle and fell asleep….
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account