Snakes: Curiosities and Wonders of Serpent LifeHopley, Catherine Cooper
Science
Snakes: Curiosities and Wonders of Serpent Life
Hopley, Catherine Cooper
Animal behavior; Snakes
‘The active instruments are a pair of fangs.’ ... They are ‘somewhat
conical and scythe shaped, with an extremely fine point; the
convexity looks forward, the front downward and backward’ (referring
to the slight double curve in the Crotalus fang as shown in the
illustration, p. 360). They are hollow by folding, ‘till they meet,
converting an exterior surface first into a groove, finally into a
tube.’ ... The fang is ‘moveable, and was formerly supposed to be
hinged in its socket. But it is firmly socketed, and the maxillary
itself moves, which rocks to and fro by a singular contrivance. The
maxillary is a small, stout, triangular bone, moveably articulated
above with a smaller bone, the lachrymal, which is itself hinged upon
the frontal.... This forward impulse of the palatal and pterygoid
is communicated to the maxillary, against which they abut, causing
the latter to rotate upon the lachrymal. In this rocking forward of
the maxillary, the socket of the fang, and with it the tooth itself,
rotates in such a manner that the apex of the tooth describes the arc
of a circle, and finally points downward instead of backward. This
protrusion of the fang is not an automatic motion, consequent upon the
mere opening of the mouth, as formerly supposed, but a volitional act,
as the reverse motion, viz. the folding back of the fang, also is;
so that in simply feeding the fangs are not erected.’ (But I think I
may affirm positively that sometimes the vipers do use their fangs in
feeding. When they open their mouths—or rather the jaws alternately
very wide—I have seen first one and then the other fang occasionally
engaged in the food and again disengaged unsheathed. On other occasions
the fangs have been folded. In some large African vipers, the ‘River
Jack’ and others that were in the Society’s Gardens a few years ago, I
was able to observe this easily.)
Public-domain text, read in full here on John Shaqi.
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