Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“No.” She half shut the door, opening it again to ask, “Got any fresh
eggs or butter?” At Selina’s negative she closed the door, bolted it.
Selina, standing there, basket on arm, could hear her heavy tread down
the passageway toward the kitchen. Well, that was all right. Nothing so
terrible about that, Selina told herself. Simply hadn’t wanted any
vegetables. The next house. The next house, and the next, and the next.
Up one side of the street, and down the other. Four times she refilled
her basket. At one house she sold a quarter’s worth. Fifteen at another.
Twenty cents here. Almost fifty there. “Good morning,” she always said
at the door in her clear, distinct way. They stared, usually. But they
were curious, too, and did not often shut the door in her face.
“Do you know of a good place?” one kitchen maid said. “This place ain’t
so good. She only pays me three dollars. You can get four now. Maybe you
know a lady wants a good girl.”
“No,” Selina answered. “No.”
At another house the cook had offered her a cup of coffee, noting the
white face, the look of weariness. Selina refused it, politely.
Twenty-first Street—Twenty-fifth—Twenty-eighth. She had over four
dollars in her purse. Dirk was weary now and hungry to the point of
tears. “The last house,” Selina promised him, “the very last one. After
this one we’ll go home.” She filled her basket again. “We’ll have
something to eat on the way, and maybe you’ll go to sleep with the
canvas over you, high, fastened to the seat like a tent. And we’ll be
home in a jiffy.”
The last house was a new gray stone one, already beginning to turn dingy
from the smoke of the Illinois Central suburban trains that puffed along
the lake front a block to the east. The house had large bow windows,
plump and shining. There was a lawn, with statues, and a conservatory in
the rear. Real lace curtains at the downstairs windows with plush
hangings behind them. A high iron grille ran all about the property
giving it an air of aloofness, of security. Selina glanced at this
wrought-iron fence. And it seemed to bar her out. There was something
forbidding about it—menacing. She was tired, that was it. The last
house. She had almost five dollars, earned in the last hour. “Just five
minutes,” she said to Dirk, trying to make her tone bright, her voice
gay. Her arms full of vegetables which she was about to place in the
basket at her feet she heard at her elbow:
“Now, then, where’s your license?”
She turned. A policeman at her side. She stared up at him. How
enormously tall, she thought; and how red his face. “License?”
“Yeh, you heard me. License. Where’s your pedler’s license? You got one,
I s’pose.”
“Why, no. No.” She stared at him, still.
His face grew redder. Selina was a little worried about him. She
thought, stupidly, that if it grew any redder——
Public-domain text, read in full here on John Shaqi.
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