Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Julie stirred with a little rustle and click of silk and beads. Her
gentle amiability was vaguely alarmed by the iron quality of
determination in the other’s tone.
“Yes, but what about you, Selina?”
“Me?”
“Yes, of course. You talk as though you didn’t count. Your life. Things
to make you happy.”
“My life doesn’t count, except as something for Dirk to use. I’m done
with anything else. Oh, I don’t mean that I’m discouraged, or
disappointed in life, or anything like that. I mean I started out with
the wrong idea. I know better now. I’m here to keep Dirk from making the
mistakes I made.”
Here Aug Hempel, lounging largely in his chair and eyeing Selina
intently, turned his gaze absently through the window to where the
grays, a living equine statue, stood before the house. His tone was one
of meditation, not of argument. “It don’t work out that way, seems.
About mistakes it’s funny. You got to make your own; and not only that,
if you try to keep people from making theirs they get mad.” He whistled
softly through his teeth following this utterance and tapped the chair
seat with his finger nails.
“It’s beauty!” Selina said then, almost passionately. Aug Hempel and
Julie plainly could make nothing of this remark so she went on, eager,
explanatory. “I used to think that if you wanted beauty—if you wanted
it hard enough and hopefully enough—it came to you. You just waited,
and lived your life as best you could, knowing that beauty might be just
around the corner. You just waited, and then it came.”
“Beauty!” exclaimed Julie, weakly. She stared at Selina in the evident
belief that this work-worn haggard woman was bemoaning her lack of
personal pulchritude.
“Yes. All the worth-while things in life. All mixed up. Rooms in
candle-light. Leisure. Colour. Travel. Books. Music. Pictures.
People—all kinds of people. Work that you love. And growth—growth and
watching people grow. Feeling very strongly about things and then
developing that feeling to—to make something fine come of it.” The word
self-expression was not in cant use then, and Selina hadn’t it to offer
them. They would not have known what she meant if she had. She threw out
her hands now in a futile gesture. “That’s what I mean by beauty. I want
Dirk to have it.”
Julie blinked and nodded with the wise amiable look of comprehension
assumed by one who has understood no single word of what has been said.
August Hempel cleared his throat.
“I guess I know what you’re driving at Selina, maybe. About Julie I felt
just like that. She should have everything fine. I wanted her to have
everything. And she did, too. Cried for the moon she had it.”
“I never did have it Pa, any such thing!”
“Never cried for it, I know of.”
Public-domain text, read in full here on John Shaqi.
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