Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
Ten years later he was actually the controlling power in the Yards &
Rangers’ Bank. And Selina had that original I. O. U. with its “Paid In
Full. Aug Hempel,” carefully tucked away in the carved oak chest
together with other keepsakes that she foolishly treasured—ridiculous
scraps that no one but she would have understood or valued—a small
school slate such as little children use (the one on which she had
taught Pervus to figure and parse); a dried bunch of trilliums; a
bustled and panniered wine-red cashmere dress, absurdly old-fashioned; a
letter telling about the Infanta Eulalie of Spain, and signed Julie
Hempel Arnold; a pair of men’s old side-boots with mud caked on them; a
crude sketch, almost obliterated now, done on a torn scrap of brown
paper and showing the Haymarket with the wagons vegetable-laden and the
men gathered beneath the street-flares, and the patient farm
horses—Roelf’s childish sketch.
Among this rubbish she rummaged periodically in the years that followed.
Indeed, twenty years later Dirk, coming upon her smoothing out the
wrinkled yellow creases of the I. O. U. or shaking the camphor-laden
folds of the wine-red cashmere, would say, “At it again! What a
sentimental generation yours was, Mother. Pressed flowers! They went out
with the attic, didn’t they? If the house caught fire you’d probably run
for the junk in that chest. It isn’t worth two cents, the lot of it.”
“Perhaps not,” Selina said, slowly. “Still, there’d be some money value,
I suppose, in an early original signed sketch by Rodin.”
“Rodin! You haven’t got a——”
“No, but here’s one by Pool—Roelf Pool—signed. At a sale in New York
last week one of his sketches—not a finished thing at all—just a rough
drawing that he’d made of some figures in a group that went into the
Doughboy statue—brought one thous——”
“Oh, well, that—yes. But the rest of the stuff you’ve got there—funny
how people will treasure old stuff like that. Useless stuff. It isn’t
even beautiful.”
“Beautiful!” said Selina, and shut the lid of the old chest. “Why,
Dirk—Dirk! You don’t even know what beauty is. You never will know.”
XIII
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