Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
He was not a naturally talkative person. There was nothing surly about
his silence. It was a taciturn streak inherited from his Dutch ancestry.
This time, though, he was more voluble than usual. “Paula . . .” came
again and again into his conversation. “Paula . . . Paula . . .” and
again “. . . Paula.” He did not seem conscious of the repetition, but
Selina’s quick ear caught it.
“I haven’t seen her,” Selina said, “since she went away to school the
first year. She must be—let’s see—she’s a year older than you are.
She’s nineteen going on twenty. Last time I saw her I thought she was a
dark scrawny little thing. Too bad she didn’t inherit Julie’s lovely
gold colouring and good looks, instead of Eugene, who doesn’t need ’em.”
“She isn’t!” said Dirk, hotly. “She’s dark and slim and sort
of—uh—sensuous”—Selina started visibly, and raised her hand quickly
to her mouth to hide a smile—“like Cleopatra. Her eyes are big and kind
of slanting—not squinty I don’t mean, but slanting up a little at the
corners. Cut out, kind of, so that they look bigger than most people’s.”
“My eyes used to be considered rather fine,” said Selina, mischievously;
but he did not hear.
“She makes all the other girls look sort of blowzy.” He was silent a
moment. Selina was silent, too, and it was not a happy silence. Dirk
spoke again, suddenly, as though continuing aloud a train of thought,
“—all but her hands.”
Selina made her voice sound natural, not sharply inquisitive. “What’s
the matter with her hands, Dirk?”
He pondered a moment, his brows knitted. At last, slowly, “Well, I don’t
know. They’re brown, and awfully thin and sort of—grabby. I mean it
makes me nervous to watch them. And when the rest of her is cool they’re
hot when you touch them.”
He looked at his mother’s hands that were busy with some sewing. The
stuff on which she was working was a bit of satin ribbon; part of a hood
intended to grace the head of Geertje Pool Vander Sijde’s second baby.
She had difficulty in keeping her rough fingers from catching on the
soft surface of the satin. Manual work, water, sun, and wind had tanned
those hands, hardened them, enlarged the knuckles, spread them,
roughened them. Yet how sure they were, and strong, and cool and
reliable—and tender. Suddenly, looking at them, Dirk said, “Now your
hands. I love your hands, Mother.”
She put down her work hastily, yet quietly, so that the sudden rush of
happy grateful tears in her eyes should not sully the pink satin ribbon.
She was flushed, like a girl. “Do you, Sobig?” she said.
Public-domain text, read in full here on John Shaqi.
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