Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
“Never mind,” Selina assured him, happily. “It was all thrown up so
hastily. Remember that just yesterday, or the day before, Chicago was an
Indian fort, with tepees where towers are now, and mud wallows in place
of asphalt. Beauty needs time to perfect it. Perhaps we’ve been waiting
all these years for just such youngsters as you. And maybe some day I’ll
be driving down Michigan Boulevard with a distinguished visitor—Roelf
Pool, perhaps. Why not? Let’s say Roelf Pool, the famous sculptor. And
he’ll say, ‘Who designed that building—the one that is so strong and
yet so light? So gay and graceful, and yet so reticent!’ And I’ll say,
‘Oh, that! That’s one of the earlier efforts of my son, Dirk DeJong.’”
But Dirk pulled at his pipe moodily; shook his head. “Oh, you don’t
know, Mother. It’s so damned slow. First thing you know I’ll be thirty.
And what am I! An office boy—or little more than that—at Hollis’s.”
During his university years Dirk had seen much of the Arnolds, Eugene
and Paula, but it sometimes seemed to Selina that he avoided these
meetings—these parties and week-ends. She was content that this should
be so, for she guessed that the matter of money held him back. She
thought it was well that he should realize the difference now. Eugene
had his own car—one of five in the Arnold garage. Paula, too, had hers.
She had been one of the first Chicago girls to drive a gas car; had
breezed about Chicago’s boulevards in one when she had been little more
than a child in short skirts. At the wheel she was dexterous,
dare-devil, incredibly relaxed. Her fascination for Dirk was strong.
Selina knew that, too. In the last year or two he had talked very little
of Paula and that, Selina knew, meant that he was hard hit.
Sometimes Paula and Eugene drove out to the farm, making the distance
from their new north-shore house to the DeJong place far south in some
breath-taking number of minutes. Eugene would appear in rakish cap,
loose London coat, knickers, queer brogans with an English look about
them, a carefully careless looseness about the hang and fit of his
jacket. Paula did not affect sports clothes for herself. She was not the
type, she said. Slim, dark, vivacious, she wore slinky clothes—crêpes,
chiffons. Her feet were slim in sheer silk stockings and slippers with
buckles. Her eyes were languorous, lovely. She worshipped luxury and
said so.
“I’ll have to marry money,” she declared. “Now that they’ve finished
calling poor Grandpa a beef-baron and taken I don’t know how many
millions away from him, we’re practically on the streets.”
“You look it!” from Dirk; and there was bitterness beneath his light
tone.
Public-domain text, read in full here on John Shaqi.
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