Bildungsromans; Chicago (Ill.) -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Gamblers -- Family relationships -- Fiction
One of her old and understanding friends, William Allen White, has
written a most illuminating account of her life, her struggles, and her
achievement. Mr. White being a Middle Westerner himself, quite
understands Edna Ferber’s point of view. The following extract is taken
from an introduction by the famous editor of the _Emporia Gazette_ for
an edition of “Cheerful by Request”:
“Edna Ferber’s pasture is long and narrow geographically; ranging from a
thin pennant running westward to the mountains, to a slim tatter as far
east as Vienna. But it is close clipped around Chicago, in Illinois,
Minnesota, and Wisconsin; and well cropped in and about New York. In its
social boundaries her field is more compact; chiefly lying in the middle
class, sometimes taking in those who are just climbing out of poverty,
and often considering those who are happily wiggling into our
plutocracy. But one thread will string every character she ever
conceived; all her people do something for a living. She is the goddess
of the worker. And from her typewriter keys spring hard-working bankers,
merchants, burglars, garage-helpers, stenographers, actors, traveling
salesmen, hotel clerks, porters and reporters, wholesalers, pushcart
men, wine touts, welfare workers, farmers, writers—always doers of
things: money makers, men and women who pull their weight in the boat.
And her stories chiefly tell what a fine time these hardworking
Americans have with their day’s work.
“In the Great American Short Story, which must tell of American life
rather than our Great American Novel, Edna Ferber’s section will be
among the workers. Mrs. Wharton and Henry Fuller and Sherwood Anderson
can have the loafers, in high life and low life. But Miss Ferber’s
people will come from the stores and offices and workshops. They will,
as the Gospel Hymn has it, come rejoicing, bringing home the bacon.
Their dramatic moments are oftenest in aprons, shirt-sleeves, overalls,
at desks, behind counters, in kitchens, behind stage curtains, in the
midst of the business of earning a living. Precious little is done in
the Ferber stories ‘in God’s great out of doors—in the wide open
spaces.’ When anything has to be open in Miss Ferber’s work it is a
lively and festive wide-open town.
Public-domain text, read in full here on John Shaqi.
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