Social England under the Regency, Vol. 1 (of 2)Ashton, John
History
Social England under the Regency, Vol. 1 (of 2)
Ashton, John
England -- Social life and customs -- 19th century; Regency -- England
The _Annual Register_, which is supposed to contain nothing but
facts, is responsible for the following, under date Feb. 25th: "A
foreign journal contains the following laughable anecdote of a French
fiddler of the name of Boucher, who, lately, came to push his fortune
in London. On his arrival at Dover, across the Channel, he had the
mortification to see his fiddles seized by the officers of the
Customs. It was in vain he protested that they were not articles of
Commerce, but instruments for his own use; and that, if he meant to
make money by them, it was, at least, not by their sale. The fiscal
agents were deaf; the fiddles must pay duty. To fix the amount, their
value must be estimated: and Mr. Boucher was desired to set his
own value on the fiddles; he fell into the snare, and fixed a very
moderate price.
"Then, in virtue of Custom-house regulations unknown to our
travelling musician, they offered him 15 per cent. more than the
valuation, and declared they would keep the instruments. Our artist
was in despair; he complained, he prayed, he threatened, but all
in vain; there was only one resource,--that of going to London to
claim the interference of the French Ambassador; but, to do this,
he must part from his dear fiddles, the instruments of his glory,
and his fortune. He wished, at least, to bid them a last adieu, and,
taking up one of them, he brought from it such melodious, but doleful
sounds, as corresponded with his feelings. The Custom-house officers,
attracted by the notes, formed a group round him, which gradually
increased, so that the office could no longer contain the collected
auditors. They begged the musician to pass into a large lobby, to
which he, unwillingly, assented. There, on the top of the staircase,
he performed several pieces which charmed even fiscal ears. Animated
by his success, the artist surpassed even himself, and the enthusiasm
of his audience was at its height, when they heard _God save the
King_ executed, with the most brilliant variations. How repay so
much talent and complaisance? Everything was forgotten; even the
regulations of the Custom-House. 'Sir,' said the Chief of the Customs
to the French Virtuoso, 'take back your fiddles; you may boast of
a finer, because a more difficult triumph than that of Orpheus. He
melted only the infernal deities, but you have made the douaniers of
Dover relent.'"
Public-domain text, read in full here on John Shaqi.
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