"But how shall I describe his death? Out came a dirty silk handkerchief from his pocket, with which he carefully swept the ground; then his Opera hat was carefully placed for a pillow, and down he laid himself. After various tossings about, he seemed reconciled to the position; but the house vociferously bawled out, 'Die again, Romeo!' and, obedient to the command, he rose up, and went through the ceremony again. Scarcely had he lain quietly down when the call was again heard, and the well-pleased amateur was evidently prepared to enact a third death; but Juliet now rose from her tomb, and gracefully put an end to this ludicrous scene by advancing to the front of the stage and aptly applying a quotation from Shakespeare-- 'Dying is such sweet sorrow, That he will die again to-morrow.'" He came before a London audience, and played Lothario at the Haymarket on the 9th of December, 1811, and I give an illustration of him in that character. He ran through all his money, and had to go to Boulogne: there he married, came over to England, and lived in Montague Square. He met with an accident, and died, aged seventy-six, in 1848. [Illustration: Lothario, as Performed by Mr. Coates at the Haymarket Theatre, December 9, 1811.] On the 29th of June, 1812, Mrs. Siddons took her leave of the public. The scene was Covent Garden Theatre, and the play "Macbeth," in which, of course, she played Lady Macbeth. After the sleep scene, she came forward and recited a farewell address written for her by Horace Twiss. She then retired amid a storm of applause. Kemble afterwards came forward to ask the sense of the house whether they would hear the remainder of the play, but the universal consensus was that they _could_ not, and the audience retired. On the 30th of September the new Drury Lane Theatre was ready for opening. The building cost £112,000; the fittings, £13,000; wardrobes, scenery, &c., £25,000; in all, £150,000. It was honoured next day with a visit from the Queen, the Princesses Augusta and Mary, the Princess Charlotte of Wales, the Prince Regent, and the Dukes of Sussex, Kent, and Clarence. On this occasion the theatre was darkened, and the interior brilliantly lit up, in order to show it at its best to its distinguished visitors. Elliston opened it on the 10th of October with "Hamlet." In November Betty, better known as the "young Roscius," reappeared on the Stage at Covent Garden. But his boyhood's charm was broken, and, as a man (he was 22) he was a failure as an actor.