Gradually the whole floor-space got filled up with pews with high wooden walls, some square, some oblong, all shut in with doors, and with seats running round them. A little girl who was once taken to a church which was fitted with these "horse-box" pews, when she came home told her mother: "We went into a cupboard and sat on a shelf!" The fashion of having pews shut in with doors lasted for several centuries; indeed you may see them still in some churches, though they are not nearly as high as they once were. The churches needed repairs from time to time in the seventeenth century, and a few, a very few, new ones were built. But money was not spent upon them as it had been in the Middle Ages. They were patched up and mended for the most part as cheaply as possible. In very few cases was any attempt made to make them as beautiful as the houses which were being built at the time. [Illustration: _Pews in a Church at Stokesay, Shropshire, rebuilt 1654_] After the Restoration there arose a great interest in bells and bell-ringing. At the end of the seventeenth century a great many rings of bells were hung in the old steeples and belfries, which had to be altered to receive them. The monuments set up in the churches in the reign of King Charles II were somewhat smaller than they had been. They were often tablets on the walls, ornamented with curious carvings of skulls and cross-bones, cherubs' heads, curtains, and festoons of flowers and fruits, often finely carved. You will not find in churchyards many grave-stones or tombs of an earlier date than 1660. The head-stones were then very small, and had little on them except "Here lyeth the body of" so-and-so, and the date. A great many churches were built in London after the Fire. They were furnished with high pews, usually all of the same height, and having doors. The woodwork, especially of the pulpit, reading-desk, and organ-case, in these churches is mostly very fine. A celebrated carver of this period was Grinling Gibbons, and he and his pupils did a great deal of such work, both in churches and houses. In other parts of the country Wren's work was imitated in some of the new churches then built, and in some of the old ones which were altered or rearranged. One of the best specimens of work done at this time is to be seen in Whitchurch, in Middlesex. Not very many new churches, however, were built until the beginning of the nineteenth century, except in some of the towns which had grown up from country villages. In and round London most of the villages increased so much in size that the little old parish church was much too small for the population. Galleries were put up in them in all sorts of queer places, to provide more seats. More room still being wanted, many churches were pulled down, and larger buildings set up.