Social Life in the Reign of Queen Anne, Taken from Original SourcesAshton, John
History
Social Life in the Reign of Queen Anne, Taken from Original Sources
Ashton, John
Great Britain -- History -- Anne, 1702-1714; Great Britain -- Social life and customs -- 18th century
Just
finish'd
and to be
seen. The present
Court of _England_
in Wax, after (and as
big as) the Life, in the
Inner Walk of _Exeter Change_
in the _Strand_, much exceeding that
which was at the _New Exchange_ tho'
both made by the most deservedly famous
Mrs. _Mills_, whom in that Art, all ingenuous
Persons own, had never yet an equal: The names
of the chief Persons are, The QUEEN, his Royal
Highness Prince _George_, the Princess _Sophia_, his Grace
The Duke of _Marlborough_, the Countess of _Manchester_,
the Countess of _Kingstone_, the Countess of _Musgrave_ &c.
As likewise the Effigies of _Mark Anthony_, naturally
acting that which render'd him remarkable to
the World; _Cleopatra_ his Queen, one of her
_Egyptian_ Ladies, _Oliver Cromwell_ in
Armour, the Count _Tallard_: with many
others too tedious here to mention.
To be seen from 9 in the
Morn, till 9 at Night. You
may go in at any of the
Doors in the _Change_,
and pass thro' the
Hatter's Shop in
the Outward
Walk.
Persons may have their Effigies made, or their deceased Friends on
reasonable Terms.
The Westminster waxwork figures were then in a sadly dilapidated
condition. Brown says[358]: 'As soon as we ascended half a Score Stone
Steps in a dirty Cobweb hole, and in old Worm eaten Presses, whose
Doors flew open on our approach; here stood _Edward_ the Third, as
they told us, which was a broken piece of Waxwork, a batter'd Head,
and a Straw stuff'd Body, not one quarter cover'd with Rags; his
beautiful Queen stood by, not better in Repair; and so to the number
of half a score Kings and Queens, not near so good figures as the King
of the Beggars make, and all the begging Crew would be ashamed of
their Company. Their Rear was brought up with good _Queen Bess_, with
the Remnants of an old dirty Ruff, and nothing to cover her Majesty's
Nakedness.'
[Footnote 358: _A Walk round London and Westminster._]
One of the most popular exhibitions was the puppet shows kept by
Robert Powell, a dwarfish deformity. 'This is Mr. _Powell_--That's
he--the little Crooked Gentleman, that holds a Staff in his Hand,
without which he must fall.'[359] His 'Punch's Theatre' was in the
little Piazza, Covent Garden--and Steele makes the under sexton of St.
Paul's[360] Church grumble at his entertainment, because it took
people away from him. Defoe says: 'Mr. Powell by Subscriptions and
full Houses, has gathered such Wealth as is ten times sufficient to
buy all the Poets in England; that he seldom goes out without his
Chair, and thrives on this incredible Folly to that degree, that, were
he a Freeman, he might hope that some future Puppet Show might
celebrate his being Lord Mayor, as he has done Sir R.
Whittington.'[361] Both in the _Tatler_ and _Spectator_ he is
frequently referred to, especially in the former. In the season he
took himself and his puppets to Bath, so that he always kept them
employed.
Public-domain text, read in full here on John Shaqi.
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