Social Life in the Reign of Queen Anne, Taken from Original SourcesAshton, John
History
Social Life in the Reign of Queen Anne, Taken from Original Sources
Ashton, John
Great Britain -- History -- Anne, 1702-1714; Great Britain -- Social life and customs -- 18th century
Before quitting this short notice of Drury Lane Theatre reference must
be made to an incident in which Mrs. Tofts the singer was interested.
'ANN _Barwick_ having occasioned a Disturbance at the Theatre Royal in
_Drury Lane_ on _Saturday_ Night last the 5th of _February_, and being
thereupon taken into Custody, Mrs. Tofts, in Vindication of her own
Innocency, sent a Letter to Mr. _Rich_, Master of the said Theatre,
which is as followeth.
SIR, I was very much surpriz'd when I was inform'd, that _Ann
Barwick_, who was lately my Servant, had committed a Rudeness
last night at the Play-house, by throwing of Oranges, and hissing
when Mrs. _l'Epine_ the Italian Gentlewoman Sung. I hope no one
can think that it was in the least with my Privity, as I assure
you it was not. I abhor such Practises, and I hope that you will
cause her to be prosecuted, that she may be punish'd as she
deserves.
I am, Sir, Your humble Servant,
KATHARINE TOFTS.
To Christopher Rich Esq.; at the
Theatre Royal. Feb. 6. 1703.'[425]
[Footnote 425: _Ibid._ Feb. 8, 1703.]
Misson gives a description of its interior, which, from his
invariable truthfulness, can be relied on. 'The Pit is an
Amphitheater, fill'd with Benches without Back boards, and adorn'd and
cover'd with green Cloth. Men of Quality, particularly the younger
Sort, some Ladies of Reputation and Vertue, and abundance of Damsels
that hunt for Prey, Sit all together in this place, Higgledy piggledy,
chatter, toy, play, hear, hear not. Farther up, against the Wall,
under the first Gallery, and just opposite to the Stage, rises another
Amphitheater, which is taken up by Persons of the best Quality, among
whom are generally very few Men. The Galleries, whereof there are only
two rows, are filled with none but ordinary People, particularly the
Upper One.'
Public-domain text, read in full here on John Shaqi.
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