Social Life in the Reign of Queen Anne, Taken from Original SourcesAshton, John
History
Social Life in the Reign of Queen Anne, Taken from Original Sources
Ashton, John
Great Britain -- History -- Anne, 1702-1714; Great Britain -- Social life and customs -- 18th century
It is singular that neither of these authorities are correct, and
luckily we have the advertisements left to guide us. It is, however,
somewhat strange that there should have been no public announcement in
the newspapers of its opening; but the first advertisement published
is in the _Daily Courant_, April 14, 1705: 'At the Queen's Theatre in
the Haymarket, this present Saturday being the 14th of April, will be
reviv'd, The Indian Emperor, or the Conquest of Mexico by the
Spaniards. The Part of Cortez to be perform'd by Mr. Powel; with
Entertainments of Dancing, as also Singing by the new Italian Boy. By
Her Majesty's Sworn Servants.'
The next play was 'The Merry Wives of Windsor,' on April 23; on the
27th 'The Gamester'; and Downes says 'The Confederacy' was playing
long after.
This theatre was, undoubtedly, the most fashionable; and its prices,
at times, were far above its rivals. Take, for example[428]: 'At the
Desire of several Persons of Quality. At the Queen's Theatre in the
Hay Market, on Saturday next, being the 7th of February, will be
presented an Opera call'd Camilla. The Part of Metius (to which are
added several new Select Songs) to be perform'd by the famous Signior
Gioseppe Cassani, lately arrived from Italy. With several new
Entertainments of Dancing by Monsieur Cherrier, Monsieur Debargues,
Mrs. Santlow, Mrs. Evans, and others. The Boxes to be open'd to the
Pit, and no Person to be admitted but by Tickets, which will be
deliver'd out on Friday and Saturday Morning at White's Chocolate
House, at a Guinea each Ticket. The number of Tickets not to exceed
450.' On the 6th same month the performance was lowered to half a
guinea. Stage boxes, half a guinea; first gallery, 5_s._; upper
gallery, 2_s._; and on Feb. 10 admission was still further lowered.
[Footnote 428: _Daily Courant_, Feb. 4, 1708.]
Congreve soon gave up his share, and Sir John Vanbrugh was also glad
to get rid of this 'bad egg': so after Jan. 10, 1708, it was
transferred to Owen MacSwiney for operatic performances, one of which
we have just mentioned.
Public-domain text, read in full here on John Shaqi.
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