Social Life in the Reign of Queen Anne, Taken from Original SourcesAshton, John
History
Social Life in the Reign of Queen Anne, Taken from Original Sources
Ashton, John
Great Britain -- History -- Anne, 1702-1714; Great Britain -- Social life and customs -- 18th century
Hers was a romantic history. Her maiden name was Percival, and she
married Mountford the actor, who was killed by Lord Mohun for
protecting Mrs. Bracegirdle. Betterton says, 'Her Father Mr.
_Percival_ had the Misfortune to be drawn into the Assassination Plot
against King _William_; for this he lay under Sentence of Death, which
he received on the same Night that Lord Mohun killed her husband, Mr.
_Mountfort_. Under this, almost insuperable Affliction, she was
introduced to the good Queen _Mary_, who being, as she was pleased to
say, _Struck to the Heart_ upon receiving Mrs. _Mountfort's_ Petition,
immediately granted all that was in her Power, a Remission of her
Father's Execution for that of Transportation. But Fate had so ordered
it that poor Mrs. _Mountfort_ was to lose both Father and Husband. For
as Mr. _Percival_ was going abroad, he was so weakened by his
Imprisonment, that he was taken Sick on the Road, and died at
_Portsmouth_.' She afterwards married Jack Verbruggen, and their
married life is thus described by Aston: 'She was the best
Conversation possible; never Captious, or displeas'd at any Thing but
what was gross or indecent; for she was cautious lest fiery _Jack_
shou'd so resent it as to breed a Quarrel; for he would often say
_Dammee! tho' I don't much value my Wife yet no Body shall affront
her, by G--d_; and his Sword was drawn on the least occasion, which
was much the fashion in the latter End of King _William's_ Reign.' She
is described as being 'a fine fair Woman, plump, full featured, her
Face of a fine smooth Oval.'
The theatre never solely depended upon the drama for its attractions,
and there was generally a ballet of some description; not, of course,
such elaborate affairs as we have now, but performances by one or two
artists, such as M. L'Abbé and Mrs. Elford. The dances were such as
chacones, minuets, allmands, corantos, jigs, sarabands, etc., and we
have already seen the pains taken with this art, and the elaborate
instructions of its professors.
CHAPTER XXVI.
OPERA, CONCERTS, MUSIC.
Introduction of Italian opera -- Its rapid popularity -- Mixture of
languages -- Handel -- His operas, and visit here -- Singers -- Abel
-- Hughs -- Leveridge -- Lawrence -- Ramondon -- Mrs. Tofts -- Her
madness -- Foreign singers -- Margherita de l'Epine -- Nicolino
Grimaldi -- Isabella Girardeau -- Composers -- Dr. Blow -- Jeremiah
Clarke -- Dean Aldrich -- Tom D'Urfey -- Henry Carey -- Britton,
the small coal man -- His concerts -- His death -- Concerts and
concert rooms -- Gasparini, the violinist -- Musical instruments
-- Musical scores.
Public-domain text, read in full here on John Shaqi.
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