In other books, especially in _Myth, Ritual, and Religion_, and _Custom
and Myth_, I have examined apparent survivals of Totemism, in ancient
Greece, ancient Egypt, and other civilised countries. Of these the
most notable are the Greek myths of descent of families from animals,
explained as the temporary vehicles of Zeus or Apollo: and the worship
of special animals by each of the Nomes of Egypt. Other arguments I
have offered, especially in the case of Apollo and the Shrew Mouse. I
remain of the opinion that many of the Greek mythical and religious
phenomena noted, are most probably to be explained as survivals of a
totemic past. Of course Totemism is only one element in animal worship,
and the Corn Spirit, disguised as almost any animal you please, may be
one of the other elements. But, as far as I have studied the subject,
I agree with Mr. Tylor in his ‘protest against the manner in which
totems have been placed almost at the foundation of religion. Totemism
... has been exaggerated out of proportion to its real theological
magnitude.... The rise and growth of ideas of deity, a branch of
knowledge requiring the largest range of information and the greatest
care in inference, cannot, I hold, be judged on the basis of a section
of theology of secondary importance--namely, animal worship--much less
of a special section of that--namely, the association of a species of
animals (and of a vast variety of other things) ‘with a clan of men
which results in Totemism. A theoretical structure has been raised
quite too wide and high for such a foundation.’[31] The totem god
himself I regard as only the hypothesis by which certain barbaric races
account to themselves for the survivals of Totemism among them. The
so-called ‘totem sacrament’ is not ‘god-eating,’ but a piece of magic,
used in ceremonies designed to foster--or to vex and annoy--the totem.
As Mr. Tylor writes, ‘till the totem sacrament is vouched for by some
more real proof, it had better fall out of speculative theology.’
DID THE ANCESTORS OF THE CIVILISED RACES PASS THROUGH THE AUSTRALIAN
STAGE?
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