Soils, their formation, properties, composition, and relations to climate and plant growth in the humid and arid regionsHilgard, Eugene W. (Eugene Woldemar)
Science
Soils, their formation, properties, composition, and relations to climate and plant growth in the humid and arid regions
Hilgard, Eugene W. (Eugene Woldemar)
Soils
The variety-names enumerated above in the order of the actual contents
of the materials in true clay substance (“colloidal clay”), are partly
based upon that fact, partly upon the degree of plasticity attained
by that substance, and essentially upon the nature and amount of
foreign admixtures associated with it. Thus, porcelain clay is chalky
kaolinite, sometimes associated with enough of pure white plastic
clay to render it workable in the potter’s lathe, but more commonly
requiring to be molded in porous molds; it is very refractory to heat.
Pipe-clay is also white, but more plastic and usually less refactory.
Fire-clay is a refractory pipe-clay commingled with some coarse
infusible material, such as quartz sand (or the same clay burnt and
crushed), in order to prevent excessive contraction and change of shape
in drying and burning. Potters’ clay is a much less pure, and from that
cause more fusible clay, which when burnt forms at a moderate heat
a semi-fused, more or less hard mass, such as crockery and pottery
ware. Brick-clay is a still more impure clay, or loam, containing
considerable sand and usually iron oxid, and largely falls already
within the limits of tillable soils or subsoils, rendered fusible by
the presence of relatively considerable amounts of iron, magnesia and
lime.
_Iron_ colors natural clays either red, yellow, green
or blue; the latter two colors turning to yellow or red on
exposure to the air, and to red on burning. Black color is
usually due to carbon, such clays often turning white on
heating.
Clays containing much lime are usually of a gray or whitish
tint, and like the soft crumbly limestones are often called
marls, and are used as such for land improvement. But it
should be understood that the colors of clays, mostly
derived from some iron compound, have little to do with
their uses in the arts, except that no deeply colored clay
(black excepted) is refractory in the fire.
_“Colloidal” Clay._[17]
In connection with soils, clay may be defined, in the most general
terms, as being the substance which imparts plasticity and adhesiveness
to soils when wetted and kneaded, and which, when heated to redness,
loses this property completely and permanently, becoming hard and
coherent in proportion to the degree of heat to which it is exposed.
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