CAPT. G. (_Aside._) How the dickens should I know what she prefers? She
told me that she doted on horses. (_Aloud._) I think it is.
MISS T. (_Coming out into front veranda._) Oh! Bad Buldoo! I must speak
to him for this. He has taken up the curb two links, and Vermillion
hates that. (_Passes out and to horse's head._)
CAPT. G. Let me do it.
MISS T. No, Vermillion understands me. Don't you, old man? (_Looses
curb-chain skilfully, and pats horse on nose and throttle._) Poor
Vermillion! _Did_ they want to cut his chin off? There!
CAPTAIN GADSBY _watches the interlude with undisguised admiration._
POOR DEAR MAMMA. (_Tartly to_ MISS T.) You've forgotten your guest, I
think, dear.
MISS T. Good gracious! So I have! Good-bye. (_Retreats indoors hastily_)
POOR DEAR MAMMA. (_Bunching reins in fingers hampered by too tight
gauntlets_) Captain Gadsby!
CAPTAIN GADSBY _stoops and makes the foot-rest._
POOR DEAR MAMMA _blunders, halts too long, and breaks through it._
CAPT. G. (_Aside_.) Can't hold up eleven stone for ever. It's all your
rheumatism. (_Aloud_.) Can't imagine why I was so clumsy. (_Aside_.) Now
Little Featherweight would have gone up like a bird.
_They ride out of the garden. The Captain falls back._
CAPT. G. (_Aside_.) How that habit catches her under the arms! Ugh!
POOR DEAR MAMMA. (_With the worn smile of sixteen seasons, the worse for
exchange_.) You're dull this afternoon, Captain Gadsby.
CAPT. G. (_Spurring up wearily_.) Why did you keep me waiting so long?
_Et caetera, et caetera, et caetera._
(AN INTERVAL OF THREE WEEKS.)
GILDED YOUTH. (_Sitting on railings opposite Town Hall_.) Hullo, Gaddy!
'Been trotting out the Gorgonzola! We all thought it was the Gorgon
you're mashing.
CAPT. G. (_With withering emphasis_.) You young cub! What the ---- does
it matter to you?
_Proceeds to read GILDED YOUTH a lecture on discretion and deportment,
which crumbles latter like a Chinese Lantern. Departs fuming._
(FURTHER INTERVAL OF FIVE WEEKS.)
SCENE.--_Exterior of New Simla Library on a foggy evening_. MISS
THREEGAN _and_ MISS DEERCOURT _meet among the 'rickshaws_. MISS T. _is
carrying a bundle of books under her left arm_.
MISS D. (_Level intonation_.) Well?
MISS T. (_Ascending intonation_.) Well?
MISS D. (_Capturing her friend's left arm, taking away all the books,
placing books in 'rickshaw, returning to arm, securing hand by the third
finger and investigating_.) Well! You _bad_ girl! And you _never_ told
me.
MISS T. (_Demurely_.) He--he--he only spoke yesterday afternoon.
MISS D. Bless you, dear! And I'm to be bridesmaid, aren't I? You _know_
you promised _ever_ so long ago.
MISS T. Of course. I'll tell you all about it to-morrow. (_Gets
into'rickshaw_.) O Emma!
MISS D. (_With intense interest_.) Yes, dear?
MISS T. (_Piano_.) It's quite true--about--the--egg.
MISS D. What egg?
MISS T. (_Pianissimo prestissimo_.) The egg without the salt. (_Forte_.)
_Chalo ghar ko jaldi, jhampani!_ (Go home, _jhampani_.)
Public-domain text, read in full here on John Shaqi.
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