Soliloquies in England, and Later SoliloquiesSantayana, George
Philosophy
Soliloquies in England, and Later Soliloquies
Santayana, George
American essays -- 20th century
That such mystic emotions, whether in religion or in friendship, are
erotic was well known before the day's of Freud. They have always
expressed themselves in erotic language. And why should they not be
erotic? Sexual passion is itself an incident in the life of the Psyche,
a transitive phase in the great cycle by which life on earth is kept
going. It grows insensibly out of bodily self-love, childish play, and
love of sensation; it merges in the end, after its midsummer night's
dream, into parental and kingly purposes. How casual, how comic, the
purely erotic impulse is, and how lightly nature plays with it, may be
seen in the passion of jealousy. Jealousy is inseparable from sexual
love, and yet jealousy is not itself erotic either in quality or in
effect, since it poisons pleasure, turns sympathy into suspicion,
love into hate, all in the interests of proprietorship. Why should
we be jealous, if we were simply merry? Nature weaves with a wide
loom, and crosses the threads; and erotic passion may be as easily
provoked peripherally by deeper impulses as be itself the root of other
propensities. Lovers sometimes pretend at first to be only friends,
and friends have sometimes fancied, at first blush, that they were
lovers; it is as easy for one habit or sentiment as for the other to
prove the radical one, and to prevail in the end. As for Englishmen,
the last thing they would do would be to disguise some base prompting
in high-flown language; they would call a spade a spade, if there were
occasion. They are shy of words, as of all manifestations; and this
very shyness, if it proves that there is at bottom a vital instinct
concerned, also proves that it is not intrinsically more erotic than
social, nor more social than intellectual. It is each of these things
potentially, for such faculties are not divided in nature as they are
in language; it may turn into any one of them if accident leads it that
way; but it reverts from every casual expression to its central seat,
which is the felt harmony of life with life, and of life with nature,
with everything that in the pulses of this world beats our own measure,
and swells the music of our thoughts.
18
DICKENS
Public-domain text, read in full here on John Shaqi.
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