Solitude: With the Life of the Author. In Two PartsZimmermann, Johann Georg
Philosophy
Solitude: With the Life of the Author. In Two Parts
Zimmermann, Johann Georg
Solitude
Retirement engages the affections of men whenever it holds up a picture
of tranquillity to their view.
The doleful and monotonous sound of the clock of a sequestered monastery,
the silence of nature in a still night, the pure air on the summit of
a high mountain, the thick darkness of an aged forest, the sight of a
temple fallen into ruins, inspire the soul with a soft melancholy, and
banish all recollection of the world and its concerns.
The man who cannot hold a friendly correspondence with his own heart; who
derives no comfort from the reflections of his mind; who dreads the idea
of meditation, and is fearful of passing a single moment with himself,
looks with equal dread on solitude and on death. He endeavors to enjoy
all the voluptuousness which the world affords; drains the pernicious
cup of pleasure to its dregs; and, until the dreadful moment approaches
when he beholds his nerves shattered, and all the powers of his soul
destroyed, has not the courage to make the delayed confession, “I am
tired of the world and all its idle follies!”
The legions of fantastic fashions to which a man of pleasure is obliged
to sacrifice his time, impair the rational faculties of his mind, and
destroy the native energies of his soul. Forced continually to lend
himself to the performance of a thousand little trifles, a thousand mean
absurdities, he becomes by habit frivolous and absurd. The face of things
no longer wears its true and genuine aspect; and his depraved taste
loses all relish for rational entertainment or substantial pleasure. The
infatuation seizes on his brain, and his corrupted heart teems with idle
fancies and vain imaginations.
The inevitable consequences of this ardent pursuit of entertainments and
diversions are langor and dissatisfaction. He has drained the cup of
pleasure to the last drop, who is at length obliged to confess that all
his hopes are fled; who finds disappointment and disgust mingled with
every enjoyment; who feels astonished at his own insensibility, and who
no longer possesses the magic of the enchantress, imagination, to gild
and decorate the scene, calls in vain to his assistance the daughters of
sensuality and intemperance: their caresses can no longer delight his
dark and melancholy mind: the soft and syren song of luxury no longer can
dispel the cloud of discontent that hovers round his head.
Public-domain text, read in full here on John Shaqi.
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