Solitude: With the Life of the Author. In Two PartsZimmermann, Johann Georg
Philosophy
Solitude: With the Life of the Author. In Two Parts
Zimmermann, Johann Georg
Solitude
Enthusiasm is that ecstacy of the mind, that lively transport of the
soul, which is excited by the pursuit or contemplation of some great
and noble object, the novelty of which awakens attention, the truth of
which fixes the understanding, and the grandeur of which, by firing the
fancy, engages the aid of every passion, and prompts the mind to the
highest undertakings. A just and rightly formed enthusiasm is founded in
reason, and supported by nature, and carries the mind above its ordinary
level, into the unexplored regions of art and science. The rational
enthusiast, indeed, rises to an elevation so far above the distinct view
of vulgar eyes, that common understandings are apt to treat him either
with blind admiration, or cool contempt, only because they are incapable
of comprehending his real character; and while some bow to him as an
extraordinary genius, others rail at him as an unhappy lunatic. The
powers of enthusiasm, however, when founded upon proper principles, so
strengthen and invigorate the faculties of the mind, as to enable it
to resist danger undismayed, and to surmount difficulties that appear
irresistible. Those, indeed, who have possessed themselves of this power
to any extraordinary degree, have been considered as _inspired_, and
their great achievements conceived to have been directed by councils,
and sustained by energies of a divine or super-mundane nature. Certain
it is, that we owe to the spirit of enthusiasm whatever is great in art,
sublime in science, or noble in the human character: and the elegant and
philosophic Lord Shaftsbury, while he ridicules the absurdities of this
wonderfully powerful and extensive quality, admits that it is impossible
to forbear ascribing to it whatever is greatly performed by heroes,
statesmen, poets, orators, and even philosophers themselves: and who
that is not contented to wallow in the mire of gross sensuality, would
not quit the noisy scenes of tumultuous dissipation, and repair with
joy and gladness to solitary shades, to the bower of tranquillity, and
the fountain of peace, to majestic forests, and to verdant groves, to
acquire this necessary ingredient to perfect excellence? Who would not
willingly pierce the pensive gloom, or dwell among the brighter glories
of the golden age, to acquire by a warm and glowing, but correct and
chaste contemplation of the beautiful and sublime works of nature, these
ravishing sensations, and gain this noble fervor of the imagination? A
proper study of the works of nature amidst the romantic scenery of sylvan
solitude, is certainly the most likely means of inspiring the mind with
true enthusiasm, and leading genius to her most exalted heights; but
the attempt is dangerous. There are few men in whose minds airy notions
do not sometimes tyrannize. “To indulge the power of fiction,” says a
celebrated writer, “and send imagination out upon the wing, is often the
sport of those who delight too much in silent speculation. When we are
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