Solitude: With the Life of the Author. In Two PartsZimmermann, Johann Georg
Philosophy
Solitude: With the Life of the Author. In Two Parts
Zimmermann, Johann Georg
Solitude
The lovers of this romantic cast, placed in some ancient solitary
castle, soar far beyond the common tribe, and, as their ideas refine,
their passions become proportionably sublime. Surrounded by stupendous
rocks, and impressed by the awful stilness of the scene, the beloved
youth is considered not merely as an amiable and virtuous man, but as a
god. The inspired mind of the fond female fancies her bosom to be the
sanctuary of love, and conceives her affection for the youthful idol of
her heart to be an emanation from heaven: a ray of the Divine Presence.
Ordinary lovers, without doubt, in spite of absence, unite their souls,
write by every post, seize all occasions to converse with, or hear from,
each other; but our more sublime and exalted female introduces into her
romance of passion every butterfly she meets with, and all the feathered
songsters of the groves; and, except in the object of her love, no longer
sees any thing as it really is. Reason and sense no longer guide: the
refinements of love direct all her movements; she tears the world from
its poles, and the sun from its axis; and to prove that all she does is
right, establishes for herself and her lover a new gospel, and a new
system of morality.
A lover, separated, perhaps, forever, from a mistress who has made the
most important sacrifices to his happiness; who was his only consolation
in affliction, his only comfort in calamity; whose kindness supported
his sinking fortitude; who remained his faithful and his only friend
in dire adversity and domestic sorrow; seeks, as his sole resource, a
slothful solitude. Nights passed in sleepless agonies; a distaste of
life, a desire of death, an abhorrence of all society, and a love of
dreary seclusion, drive him, day, after day, wandering, as chance may
direct, though the most solitary retirements far from the hated traces
of mankind. Were he, however, to wander from the Elbe to the lake of
Geneva; were he to seek relief in the frozen confines of the north, or
the burning regions of the west, to the utmost extremities of the earth
or seas, he would still be like the hind described by Virgil:
“Stung with the stroke and madding with the pain
She wildly flies from wood to wood in vain;
Shoots o’er the Cretan lawn with many a bound,
The cleaving dart still rankling in the wound.”
Public-domain text, read in full here on John Shaqi.
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