Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
There are doorways in all the three grand fronts, west, north, and
south; but these shall be described further on. The columns throughout
are cylindrical, with attached shafts on the cardinal sides, the
groining-shafts towards the nave and choir being, however, triple,
instead of single. In the apse the small shafts are not placed regularly
round the main shaft, but their position is altered to suit the angles
at which the arches are built. The same alteration of plan occurs in the
chevet of Amiens, a work which was in progress about A.D. 1240, and to
which, as I have said, the plan of this cathedral bears considerable
resemblance.
The feature which most struck me in this cathedral was the wonderful
lightness which characterizes its construction in every part. The
columns of the nave are of moderate size, and the arches which they
carry very thin, whilst the large and lofty clerestory, and the
triforium below it, were both pierced to such an extent as to leave a
pier to receive the groining smaller than I think I ever saw elsewhere
in so large a church. There are double flying buttresses, one above the
other, and the architect trusted, no doubt, that the weight of the
groining would be carried down through them to such an extent as to make
it safe to venture on as much as he did. Moreover, he was careful to
economize the weight where possible; and with this view he filled in the
whole of his vaults with a very light tufa, obtained from the mountains
to the north of Leon.[118] In short, when this cathedral was planned,
its architect must either have resolved that it should exceed all others
in the slender airiness of its construction, or he must have been
extremely incautious if not reckless. It is not a little curious that in
France, at the same time, the same attempt was being made, and with the
like result. The architect of Beauvais, unable to surpass the majestic
combination of stable loftiness with beauty of form, which characterized
the rather earlier work at Amiens, tried instead to excel him alike in
height, and in lightness of construction. No one can pretend that he was
an incompetent man, yet his work was so imprudently daring, that it was
impossible to avoid a catastrophe; and we now have it rebuilt, to some
extent in the same design after its fall, but with so many additional
points of support as very much to spoil its symmetry and beauty. Here,
then, we have an exactly parallel case: for at Leon, no sooner was the
church completed than it became necessary to build up the outer lights,
both of the clerestory and triforium, to save the work from the same
misfortune. Nor was the precaution altogether successful, for, owing
almost entirely to the over-hazardous nature of the whole construction,
the south transept had recently, it is said, become so dangerously rent
with cracks and settlements as to render it absolutely necessary to
rebuild it; and the groining throughout the church shows signs of
Public-domain text, read in full here on John Shaqi.
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