Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The north-west doorway has its tympanum divided in three horizontal
lines. The lower compartment has the Salutation, the Nativity, an
Angel, and the Shepherds; the middle the Magi adoring our Lord in the
Blessed Virgin’s arms, and the Flight into Egypt; and the upper, the
Massacre of the Innocents. The arch of this door is elliptic, and the
space between it and the tympanum is filled with figures of angels with
crowns and censers, playing an organ and other instruments, and singing
from books. The meaning of the sculpture in the archivolt was not clear
to me, and seemed to refer to some legend.
The south-west doorway has the tympanum divided as the last, and in the
lower compartment the death of the Blessed Virgin; next to this our Lord
and the Blessed Virgin seated; and above, angels putting a crown on her
head. The archivolt here is adorned with one order of sitting figures of
saints and two of angels.
The east end is more striking than the west. It retains almost all its
old features intact, save that the roof is now very flat, and covered
with pantiles, whereas it is probable that at first it was of a steep
pitch. It stands up well above the sort of boulevard which passes under
its east end, and when seen from a little further off, the steeples of
the western end group well with it, and, to some extent, compensate for
the loss of the old roofing line.
The south transept had been entirely taken down when I was at Leon, and
the sculpture of its three doorways was lying on the floor of the
church. It is of the same fine character as that of the western doors;
the central door has a figure of our Lord with the emblems of the
Evangelists on either side, and beyond them the Evangelists themselves
writing at desks. Below this are the twelve Apostles seated, and the
several orders of the archivolt are carved with figures of angels
holding candles, sculptures of vine and other leaves, and crowned
figures playing on musical instruments. The south-west door of the
transept has no sculpture of figures, but the favourite diapers of
fleur-de-lys and castles, and lions and castles, and an order of foliage
arranged in the French fashion, _à crochet_. The south-east door has in
its tympanum the death of the Blessed Virgin, with angels in the
archivolt holding candles. The gable of this transept seems to have been
very much altered by some Renaissance architect before it was taken
down.
The north transept has two doorways, only one of which is now open. This
has a figure of our Lord seated within a vesica, supported by angels,
and the archivolt has figures of saints with books. The jambs
have--like all the other door-jambs--statues under canopies, and below
them the common diaper of lions and castles. The closed north-west door
of this transept now forms a reredos for an altar; it has no sculpture
of figures.
Public-domain text, read in full here on John Shaqi.
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