Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The chevet has been a good deal altered; most of the chapels remain, but
the columns and arches round the choir have all been destroyed, or, at
any rate, so covered over with modern work as to be no longer visible. A
thirteenth-century chapel has been added on the north of the apse, and a
small chapel of the fifteenth century and a large one of the
Renaissance period on its south-west side. The other alterations are
clearly indicated on the engraving of the ground-plan.
[Illustration: No. 19
SANTIAGO CATHEDRAL. p. 152.
INTERIOR OF SOUTH TRANSEPT, LOOKING NORTH-EAST]
I have already said that the existing Renaissance steeples at the west
end are built upon the lower portions of the original Romanesque towers.
The only peculiarity about these is the planning of their staircases.
The steps are carried all round the steeple in the thickness of the
wall, and the central space is made use of for a succession of small
chambers one over the other. These staircases are unusually wide and
good, and their mode of construction is obviously very strong.
The only other part of the church of the same age as the original fabric
is the detached chapel to the north-east of it. This seems to have had
originally no connexion whatever with the cathedral, the passage which
now leads to its western doorway from the north transept being quite
modern, and made for the reason already mentioned. Its western door is a
good late Romanesque work, with shafts in the jambs, and carved
capitals. The church itself consists of a nave and aisles of two bays in
length, and a chancel with an aisle on either side. The columns are
cylindrical, with carved capitals. The aisles have quadrant vaults, and
the nave a semi-circular ceiling, but I could not ascertain certainly
whether this was of plaster or stone. If the latter, then this little
church affords a very interesting example of the adaptation of precisely
the same mode of construction that we see in the great cathedral by its
side, viz. the waggon-vault in the nave supported on either side by the
quadrant vaults of the aisles.
[Illustration: Central Shaft of Western Doorway.]
Public-domain text, read in full here on John Shaqi.
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