Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The only remaining work of any importance is the cloister, with its
adjacent buildings,--the sacristies, chapter-room, library, &c. The
present erections show no relics whatever of the work which, as we have
seen, the Archbishop Diego Gelmirez undertook in the twelfth century. It
is uncertain, indeed, whether his constructions were on this side of the
church, for there are still remains of walls which seem to be coëval
with the church round a courtyard on the north side of the nave. The
cloisters now in existence are the work of Fonseca, afterwards
Archbishop of Toledo, and were commenced in A.D. 1533. As might be
expected by the date, there is very little Gothic character in their
design; they have the common late many-ribbed Spanish groining; and if
they have ever had traceries in the arches, these are now all destroyed.
The festival of St. James is celebrated with special solemnity whenever
it happens to fall upon a Sunday. Then the people, I was told, ascend a
staircase behind the altar, pass in front of some of his relics, and
descend by another staircase[165] on the other side. The body of the
saint is said to be contained in a stone tomb below the high altar,
which lies north and south, with a modern sarcophagus over it, and there
is a rather good old statue of him on horseback against the west wall of
the south transept.
The ritual arrangements here are the same as they usually are in Spain.
The Coro occupies four bays of the nave, and there is a passage railed
off between the Reja of the Coro and that of the Capilla mayor, and
there are not many altars now in use, but the number of clergy is very
great, and the church is constantly crowded with worshippers.
On a Sunday morning during my stay the Archbishop said Mass, and there
was a procession with tapers all round the church. As the slow chant
rose from among the dense crowd of worshippers, and the flickering
lights of the tapers struck here and there on the walls of the dark old
church, one of those pictures was produced which one must, I suppose, go
to Spain to see really in perfection. The number of communicants seemed
to be extremely small, but the number of those at confession unusually
large. The penitents have a way of kneeling with their cloaks held up
over them against the confessional, so that their heads are quite
concealed. Spanish women are fond of squatting on the floor, fanning
themselves, before an altar; but here they often kneel, with their arms
stretched out as in wild entreaty, for a long time together, and with
rather striking effect. I think I am within bounds in saying that fifty
or sixty priests are to be seen in this church at one time, some at the
altars, some hearing confessions, and others with a large staff of
singing men and boys in the choir.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account