Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
A very picturesque path loads up from El Parral into the city. The
effect of the Alcazar from hence is very imposing, the enormous
keep-tower which rises out of its western face being very prominent,
with its outline marked by round corner turrets projecting from the
angles so often seen in the old castles of Castile. Its walls, as well
as many others in the Alcazar, are covered with diapers in plaster, with
the pattern left slightly in relief, a mode of decoration which seems to
have been extremely popular in Segovia in the fourteenth and fifteenth
centuries. Until very lately this Alcazar was covered with picturesque
tall slated roofs, but, unfortunately, a fire has completely gutted the
whole building, and left nothing but the outside walls, which still,
however, are most imposing in their effect. The old town walls diverge
slightly from the Alcazar, and enclose the whole city; their outline is
broken picturesquely with towers, sometimes round and sometimes square,
and they wind about to suit the uneven and rugged surface of the rock on
which they are built. The gateways are not very remarkable, though
always effective. One of them is passed in coming from El Parral, and,
as soon as the town is reached, the noble steeple of San Esteban--one of
its finest architectural features--is seen in front.
I have seldom seen a better work than this. It is evidently one of a
large class, most of the other steeples here reproducing the unusual
arrangement of the angles. They are boldly splayed off, and in the
middle of the splay is set a shaft, which finishes with a sculptured
capital. The effect of this design is to give great softness of contour
to the whole steeple, and yet to mark boldly and broadly the importance
of the angles. The arcading of the various stages is richly and
admirably managed, and the details throughout are very pure and good. I
have found no evidence of its exact date, though it is evidently a work
of the first half of the thirteenth century.
The church to which this steeple belongs is remarkable for the remains
of an external cloister against the walls of the nave. There are several
churches here which have the same feature, and in other parts of this
book I have mentioned similar cases at Las Huelgas, Burgos, and at La
Antigua, Valladolid. It looks like an arrangement for keeping the
building cool, and is as good in its effect, as in so hot a climate it
must be convenient.
Public-domain text, read in full here on John Shaqi.
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