Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
I saw no other old church here; but the very fine late Gothic palace del
Infantado is well worth a visit. It is like so much Spanish work, a
strange jumble of Gothic and Pagan, slightly dashed perhaps with Moorish
sentiment, and with the somewhat strange feature that the most Gothic
portion is above, and the most Pagan below. The façade has a rich late
Gothic doorway, and the face of the wall is diapered all over with what
look like pointed nail-heads. The two lower stages have windows of the
commonest type, with pediments, whilst the upper stage has a rich open
arcade, every third division of which has a picturesque projecting
oriel, boldly corbelled forward from the face of the wall. Some Pagan
windows have evidently been inserted here; and it is possible that some
of the other details have been, but if so the work has been done so
neatly that it is difficult to detect the alteration. The courtyard or
_patio_ has seven open divisions on two sides, and five divisions on the
others, and is of two stages in height. The lower range of columns has
evidently been modernized, but in the upper they are very richly carved
and twisted. The arches are ogee trefoils cusped, and their spandrels
are clumsily filled with enormous lions cut in deep relief, and boldly
standing on nothing, whilst they manage to hold up a diminutive coat of
arms as a sort of finial to the arch. In the upper arcades griffins take
the place of the lions, and the arches are again richly cusped. I
noticed the date of A.D. 1570 on the capital of one of the columns, but
this I have no doubt was the date of the Pagan alterations, and not that
of the original fabric, which is said to have been erected in the year
1461.[195]
The Dukes del Infantado had a grand palace in this building, and though
it has long been neglected and disused, it seems as if it were again
about to be occupied, as I found workmen busily engaged in a sort of
restoration of the sculptures in the _patio_, which they were repairing,
if I remember right, with plaster.
The sight of a river is always pleasant in this part of Spain, and so,
though there is not much water in the Henares, I looked gratefully at
it, and at the trees growing by its banks, as I sauntered down to the
railway station after a rather weary day spent in vainly trying to find
enough to occupy my time and my pencil.
Public-domain text, read in full here on John Shaqi.
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