Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
Of the two synagogues the older is that which was founded in the twelfth
century, but seized in A.D. 1405 by the Toledans--instigated by the
preaching of San Vicente Ferrer--and dedicated as a church under the
name of Sta. Maria la Blanca.[212] The modernized exterior is of no
interest, but the interior is fairly preserved by the zeal, I believe,
of some Spanish antiquaries, having long been disused as a church. In
plan it consists of a nave, with two aisles on either side. A
quasi-chancel was formed at the east end (in the sixteenth century
apparently) by the prolongation of the central compartment or nave
beyond the aisles, and the intermediate aisles were also lengthened to a
less extent at the same time. There are eight horseshoe arches rising
from octagonal columns in each of the arcades, and the whole of them, as
well as their capitals, are executed in brick, covered with plaster. The
capitals are exceedingly elaborate, but very slightly varied in pattern:
they have but little connexion with any of the usual types of Byzantine
or Romanesque capitals, though they have rather more, perhaps, of the
delicate intricacy of the former than of any of the features of the
latter, and they are, I imagine, very much later than the original
capitals which they overlay. All the Moorish decorative work seems to
have been executed in the same way in plaster. This was of very fine
quality, and was evidently cut and carved as if it had been stone, and
seldom, if ever, I think, stamped or moulded, according to the mistaken
practice of the present day. The consequence is that there is endless
variety of design everywhere, and--wherever it was desired--any amount
of undercutting. The spandrels above the arches are filled in with
arabesque patterns, and there is a cusped wall arcade below the roof;
but almost all of this is evidently of much later date than the original
foundation, as the patterns are all of that large class of Moorish
devices which, though they retain many of their old peculiarities,
borrow largely at the same time from the traceries and cusping of late
Gothic work. Unfortunately in such work the material affords so small an
assistance in the detection of alterations, that it requires the
exercise of considerable caution to ascertain their exact limits; and in
Toledo, as in most places, people seem always disposed to claim the
highest possible antiquity in all cases, seldom allowing anything to
have been done by the Moors after the restoration of the Christian rule,
though, in fact, the exact converse of this would be nearer the truth.
The roof has coupled tie beams--placed a very slight distance apart--an
arrangement of which the Moorish carpenters seem to have been always
very fond. The pavement is very good, but must, I imagine, be of about
the date of the conversion of the synagogue into a church. It is divided
into compartments by border tiles, laid down the length of the church on
either side of the columns.
Public-domain text, read in full here on John Shaqi.
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