Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The last head under which I have to describe Moorish work, is, perhaps,
also the most interesting. The walls, gateways, and bridges of Toledo
are, I think, the finest I have anywhere seen; in part, at least, of
extreme age, very perfectly preserved, and on a grand scale. There is a
double line of wall on the unprotected side of the city towards the
_Vega_, the inner line said to be the work of the Visigoths, before the
Moorish conquest, in 711,[222] and the outer built in 1109, by Alonso
VI. Both walls seem to go from the Bridge of Alcantara on one side of
the city, to the Bridge of St. Martin on the other. Outside the wall the
hills and walls slope down rapidly to the valley; whilst within them the
uneven surface is covered thickly with houses everywhere, until the
Tagus, winding round three parts of the city in its deep, savage, and
solitary defile--a solitariness all the more impressive from being so
near to the busy hive of men--encloses it, and makes defensive erections
almost unnecessary.
[Illustration: Puerta del Sol. Toledo.]
I have already given some account of the Bridge of Alcantara.[223] It is
of two lofty arches, with a bold projecting pier between them. Here is
one of the best points of view of the two lines of wall, which are
broken constantly by round or square projecting towers, and ascend and
descend in the most picturesque fashion, to suit the rugged inequality
of the rocks on which they are built. I know no view more picturesque
and magnificent. The first gateway reached is the Puerta del Sol, which
is so admirable an example of the picturesqueness of which the style is
capable, that I cannot resist giving an illustration of it. It is,
indeed, not only picturesque, but in all respects a dignified and noble
work of art. The variety of arches, one behind the other, which is seen
here, was a very favourite device with the Moorish architects. Here, I
think, there are four, two pointed and two round, but all horseshoe in
their outline. The outer gateway on the old Bridge of St. Martin has
five such arches, two of them being round and one pointed horseshoe, one
a plain round, and one a plain pointed arch. In the Puerta del Sol the
intersecting arcades in brickwork over the arch, and the projecting
turrets on a level with them, are extremely picturesque. The materials
used are wrought stone, rough walling stones, and brick. The battlements
are of a type which was repeated by the Christians in most parts of
Spain, but was, no doubt, derived first of all from the Moors. The
situation of the gateway is charming; with due regard to military
requirements it turns its side to the enemy, and is reached by a winding
road, which bends round at a sharp angle just before reaching it. To the
left is seen the sweet view over the _Vega_, watered and made green by
the kind river; a view which gains immensely on one’s liking, compared,
as it always is, with the dreary arid hills beyond, and with
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