Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The old cloister, though falling down through neglect and bad usage, is,
on the whole, the finest portion of the whole work; it is groined
throughout, and covered with rich sculpture of foliage and animals, and
saints in niches. It has been much damaged, mainly, I believe, by French
soldiers during the war, and is now used in part as a picture gallery,
and in part as a museum of antiquities. The pictures, like those in most
of the inferior Spanish collections, are very sad, ghastly, and gloomy;
but among the antiquities are many of value, including a good deal of
Moorish work of various ages. The cloister is of two stages in height,
the lower having traceried openings, the upper large open arches in each
bay.
The refectory also remains, with ogee lierne ribs on its groining: over
the entrance to it is a great cross, recessed within an arch, with a
pelican at the top, and statues of St. Mary and St. John[250] on either
side, but without the figure of our Lord.
And now I bid farewell to Toledo. Few cities that I have ever seen can
compete in artistic interest with it; and none perhaps come up to it in
the singular magnificence of its situation, and the endless novelty and
picturesqueness of its every corner. It epitomizes the whole strange
history of Spain in a manner so vivid, that he who visits its old nooks
and corners carefully and thoughtfully, can work out, almost unassisted,
the strange variety which that history affords. For here, Romans,
Visigoths, Saracens, and again Christians, have in turn held sway, and
here all have left their mark; here, moreover, the Christians, since the
thirteenth century, have shown two opposite examples,--one of toleration
of Jews and Moors, which it would be hard to find a parallel for among
ourselves, and the other of intolerance, such as has no parallel out of
Spain elsewhere in Europe.
I need hardly say that in such a city the post-Gothic builders have also
left their mark. They have built many and imposing houses of various
kinds, chief among which are the altered Alcazar, now destroyed and
ruined, and the Convent of Sta. Cruz. But there was nothing in these
works specially appropriate to the locality, and nothing, therefore,
which takes them out of the position which their class holds elsewhere
in Spain.
I believe that Toledo, in addition to all its other charms, is a good
starting-point for visits to several of the best examples of mediæval
Castilian castles. I have not been able to afford the time necessary for
this work, and was unluckily obliged, therefore, to neglect it
altogether; but the Spanish castles are so important that they deserve a
volume to themselves; and it is to be hoped that ere long some one will
undertake the pleasant task of examining and illustrating them.
[Illustration: TOLEDO Ground Plan of Cathedral &c. Plate XIV.
W. West, Lithr.
Published by John Murray, Albemarle St. 1865.]
CHAPTER XII.
VALENCIA.
Public-domain text, read in full here on John Shaqi.
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