Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
This church, which forms so important a feature in the early
architectural history of Cataluña, is near the western end of the city,
and its west front and cloister are enclosed within the walls of a small
barrack; but as Spanish officers and soldiers are always glad to lionize
a stranger, there is no difficulty in the way of seeing them. A simple
early-pointed doorway, under a very flat tympanum, has been added to the
north transept, and there is some evidence of the small apse near it
having been arcaded on the outside. The pendentive under the dome is
similar in its construction to those under the dome of the curious
church of Ainay, at Lyons. Above them there is a string-course, and then
the vault, which rises to a point in the centre, and is not a complete
octagon, the cardinal sides being much wider than the others. The west
doorway has in its tympanum our Lord, St. Peter, and St. Paul; over the
arch are the angel of St. Matthew and eagle of St. John, and above, a
hand with a cruciform nimbus, giving the benediction.
San Pedro de las Puellas, on the other side of the city, was rebuilt in
A.D. 980, by Suniario Count of Barcelona, and his wife Richeldi, and was
consecrated with great pomp in A.D. 983.[280] This church has been
wofully treated, but it is still possible to make out the original
scheme. It was a cruciform church of the same general plan as San Pablo,
with a circular dome at the Crossing, and a waggon-vault to the south
transept, the nave, and the western part of the chancel. The other
parts were altered at a later date. Very bold detached columns with rich
capitals carry the arches under the dome, and another remaining against
the south wall of the nave suggests that there were probably cross
arches or ribs below its waggon-vault. The sculpture of the capitals is
very peculiar; it is quite unlike the ordinary Romanesque or Byzantine
sculpture, and is very much more like the work sometimes seen in Eastern
buildings. It is a type of capital first seen here, but reproduced
constantly afterwards all along the southern coast, and not, so far as I
know, seen at all in the interior of Spain.
There is no mark of a chapel on the east side of the south transept,
and, as the apse has been rebuilt, it is impossible to say what the
original plan of the head of the church was.
Public-domain text, read in full here on John Shaqi.
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