Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
SALAMANCA--ZAMORA--BENAVENTE.
The long dreary road which leads over the corn-growing plain from Medina
del Campo is at last relieved some two or three miles before Salamanca
is reached by the view of its imposing group of steeples and domes,
which rise gradually over the low hills on the northern side. The long
line of walls round the city still in part remains, but seems daily to
be falling more and more to decay, and indeed generally all its grand
buildings speak rather of death than of life. Few even of Spanish towns
seem to have suffered more at the hands of the French during the
Peninsular war than did Salamanca, and we ought not perhaps to be
surprised if its old prosperity comes but slowly back again to it.
The public buildings here are generally grandiose and imposing; but
almost all of them are of the period of the Renaissance, and there are
no very remarkable examples of this bad age. Still when they were
perfect there must have been a certain stateliness about them, befitting
the importance of a great university.
The main objects of attraction to me were the two cathedrals, the one
grand and new, of the sixteenth century, by whose side and as it were
under whose wing nestles the smaller but most precious old cathedral of
the twelfth century, fortunately preserved almost intact when the new
one was erected, and still carefully maintained, though, I believe, very
seldom used for service. The remarkable relative positions of these two
cathedrals will be readily understood by the accompanying
ground-plan,[88] in which, as will be seen, the vast bulk of the later
church quite overwhelms the modest dimensions of the earlier. I know
indeed few spots, if any, in which the importance, or the contrary, of
mere size in architecture can be better tested than here. Most educated
artists would, I dare say, agree with me in rating size as the lowest of
all really artistic qualities in architecture; and here we find that
the small and insignificant old church produces as good an effect as the
large and boastfully ambitious new one, though its dimensions are
altogether inferior. This is owing to the subdivision of parts, and to
the valuable simplicity which so markedly characterizes them. On the
other hand, it would be wrong to forget that from another point of view
mere size is of the primest importance, for we may well feel, when we
compare, for instance, an extremely lofty church with one of very modest
height, that in the former there is on the part of the founders an
evident act of sacrifice, whilst in the latter their thoughts have
possibly never risen above the merest utilitarianism; and it would be a
spirit entirely dead to all religious impressions that could regard such
an act of sacrifice otherwise than with extreme admiration.
Public-domain text, read in full here on John Shaqi.
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