Some Distinguished Victims of the ScaffoldBleackley, Horace
History
Some Distinguished Victims of the Scaffold
Bleackley, Horace
Criminals -- Great Britain; Executions and executioners; Trials -- Great Britain
Ordinary’s thoughts cease for a moment to dwell lovingly upon his
breakfast-gorge with the Sheriff--the epilogue to every hanging--and
professional pride swells his portly soul. With reverent unction he
explains the machinery of the gallows, speaking of ‘nooses and knots’
with all the mastery of expert, for Jim Botting and his second fiddle
‘Old Cheese’ are no better handicraftsmen than Ordinary hangman Forde.
Presently he in his turn grows curious.
“Colonel Wall,” he inquires, “what kind of men were those under you at
Goree?”
The haunting glance of death-shame fades from the piercing eyes, and
through the portholes of his soul there flashes the living spirit of
defiance.
“Sir,” he cries, “they sent me the very riff-raff!”
Suddenly the reverend Ordinary bethinks himself of his holy office,
and plunges headlong into prayer; a contrast that must compel the
tear of recording angel--smoke-reeking, unctuous, ale-fed Forde and
contrite, half-starved, but invincible giant. Sheriff Cox and his
myrmidons enter as the clock is striking eight. A look of eagerness
passes over the cadaverous lineaments, a gaunt figure steps forward,
and a firm, hollow voice murmurs:
“I attend you, sir.”
Although his head is bowed, his tread is that of the soldier on
parade as they pass out into the keen winter air. A crowd of felons,
destined soon for the gallows, is huddled in groups, here and there,
within their courtyard den, and as the procession passes through the
quadrangle they hurl forth curses of hell against the man who is
marching to his death. The giant head falls lower, and the martial
tread beats faster. “The clock has struck,” he cries, as he quickens
his step. There is a halt in another chamber beyond the Press Yard. An
ingenious law-torment is demanded--the Sheriff’s receipt for a living
corpse. A legal wrangle follows; the red giant’s body is not described
in good set terms, and there is much quill-scratching, while the giant
gazes calmly. Then the march is resumed down the loathsome passages,
and the soul of Greatheart warms as eternity draws nearer.
Public-domain text, read in full here on John Shaqi.
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