Some Distinguished Victims of the ScaffoldBleackley, Horace
History
Some Distinguished Victims of the Scaffold
Bleackley, Horace
Criminals -- Great Britain; Executions and executioners; Trials -- Great Britain
It has been reserved for a lady of our own times, whose graceful
pen has been devoted to the radiant prints of fair women of olden
days, to tell the romantic story of poor, crushed, bankrupt Ryland
and sweet feminine charity in the person of dove-eyed ‘Miss Angel’ A
scene, alluring as any of the glowing old-world engravings, is this
dainty-coloured picture painted by Mrs Frankau. Within the oak-panelled
studio, through which the winter twilight is stealing in flickering
shadows, the two ardent souls are wrapt in the communion of art. And
while coy, diaphanous Angelica listens to the fascinating tongue of
the virile, dark-skinned Welshman, her quick southern fancy whispers
that this man is the knight-errant who shall write her fame amidst the
stars. Ryland has come with a heart of lead; he goes away with a heart
of gold. For one of the most famous of unions in the annals of painting
has been sealed, and in a little while the prints after Kauffman will
have captured the imagination of the whole world.
In a house in Queen’s Row, Knightsbridge, the great engraver commences
one of those life-and-death struggles that genius alone can wage
successfully against malicious fate. Gradually--for he is young
and strong and brave, while the trust of a sweet woman warms his
courage--he emerges from the choking atmosphere of debt. One by one his
creditors are paid, and at last, free from his bankrupt chains, he is
his own master. It is a fine work, this proud, independent cancelling
of obligations--merely moral claims--a fair tribute to the lady who
has been his tutelar divinity. For it is through his engravings of
Miss Angel’s pictures, to which he applies the ‘stipple method’ which
he learnt in France, that he wins his way back to fame and fortune.
Soon he is a contributor to the newly-formed Royal Academy exhibition,
sending very properly as his first works a couple of drawings copied
from the canvas of the sylph Kauffman. Thus pass three sober years,
while he perfects his new art, living with his young wife far from
the delights of town and the old seductive companionship, first at
Knightsbridge, and then moving a couple of miles further out into rural
Hammersmith.
Public-domain text, read in full here on John Shaqi.
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