Some Distinguished Victims of the ScaffoldBleackley, Horace
History
Some Distinguished Victims of the Scaffold
Bleackley, Horace
Criminals -- Great Britain; Executions and executioners; Trials -- Great Britain
An amazing spectacle, this eighteenth-century march to Tyburn,
revealing as completely as the roofless city of romance the human
animal taken unawares. No braver picture of dauntless courage ever has
been displayed in battlefield than the serene victim, tied and bound,
who is drawn along slowly to his shameful death. Though the deep toll
of St Sepulchre’s passing bell may beat in cruel blows against his
heart, as he moves past the old church at whose font his brothers and
sisters were given their Christian names, there is no tremor visible
to the thousands who gloat upon his form. Down the slopes of Snow Hill
runs the quick, eager whisper, for the eyes of all seek but one man,
“Which is Mr Ryland?” And the careless murmur swells into a louder
key, “There he is in the coach--that is he--that is Ryland”--the
heartless babble of a multitude of savages. Thicker and thicker teems
the concourse, as the procession crawls over the bridge and up Holbourn
Hill, swollen like a black, turgid river by streams that flow from
haunts of filth and foulness--the sweepings of the slums. Thieves,
cut-throats, hoarse drunkards, and shrill strumpets join in the
delirious march with the loud, mad tread of a thousand clattering feet.
Thus they move onward. Within the sable coach the smug Ordinary is
mumbling scraps of Holy Writ pertaining to the time and place, the
valley of the shadow of death. In response, a hundred ribald oaths and
loathsome jests are pealing all around. Within the sable coach the poor
ecstatic housebreaker is piping a quavering hymn, his joints shaking
in palsy, his eyes, which gleam in horrible whiteness, raised to the
skies. All around, the hands of a hundred thieves are busy at work as
they tramp along in this march to the grave. Beyond Chancery Lane the
wide thoroughfare seems to pass into a new world. Although the street
echoes still to the tread of ten thousand squalid footsteps, high up
on either side, at the windows or in the narrow balconies, wealth and
beauty take their part in the mighty spectacle. Sweet, pale faces
look down, while soft, heaving bosoms press the casements. Beings who
might soar amidst the stars are sunk in the mire--all compelled by the
haunting, irresistible tramp rolling onward in the march of death.
Public-domain text, read in full here on John Shaqi.
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