American literature -- History and criticism; English literature -- History and criticism; World War, 1914-1918 -- Poetry
In this relation, her attitude to country life was droll. After
long indulgence in her amazing social energy in London, she would
suddenly become tired. The phenomenon never ceased to surprise her;
she could not recollect that she had been tired before, and this
must be the end of all things. She would fly to the country; to
Dorsetshire, to Norfolk, to Haslemere, to what she called "the
soberness of Ascot." Then would come letters describing the bliss
of rural calm. "Here I am! Just in time to save my life. For the
future, no clothes and early hours." That lasted a very short
while. Then a letter signed "Your recluse, D.N.," would show the
dawn of a return to nature. Then _boutades_ of increasing vehemence
would mark the rising impatience. Sept 12: "How dreadful it is that
the country is so full of ladies." Sept. 15: "I am surrounded by
tall women and short women, all very tiresome." Sept. 20: "So dull
here, except for one pleasant episode of a drunken housemaid."
Sept. 23: "Oh! I am so longing for the flesh-pots of dear dirty old
London"; and then one knew that her return to Charles Street would
not be long delayed. She was very fond indeed of country life, for
a short time, and she was interested in gardens, but she really
preferred streets. "Eridge is such a paradise--especially the
quadrupeds," she once wrote to me from a house in which she found
peculiar happiness. But she liked bipeds best.
However one may postpone the question, sooner or later it is
necessary to consider the quality of Lady Dorothy Nevill's wit,
since all things converge in her to that. But her wit is so
difficult to define that it is not surprising that one avoids, as
long as possible, coming actually to grips with it. We may lay the
foundation of a formula, perhaps, by saying that it was a compound
of solid good sense and an almost reckless whimsicality of speech.
The curious thing about it was that it was not markedly
intellectual, and still less literary. It had not the finish of
such wit as is preserved in anthologies of humour. Every one who
enjoyed the conversation of Lady Dorothy must have perceived with
annoyance how little he could take away with him. Her phrases did
not often recur to please that inward ear, "which is the bliss of
solitude." What she said seemed at the time to be eminently right
and sane; it was exhilarating to a high degree; it was lighted up
by merriment, and piquancy, and salt; but it was the result of a
kind of magic which needed the wand of the magician; it could not
be reproduced by an imitator. It is very unfortunate, but the fact
has to be faced. When we tell our grandchildren that Lady Dorothy
Nevill was the finest female wit of her age, they will ask us for
examples of her talent, and we shall have very few to give.
Public-domain text, read in full here on John Shaqi.
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