American literature -- History and criticism; English literature -- History and criticism; World War, 1914-1918 -- Poetry
In the admirable appreciation contributed to the _Times_ by "C." (our
other proconsular "C."!) it was remarked that the "quality of mental
balance is visible in all that Lord Cromer wrote, whether, in his
official despatches, his published books, or his private
correspondence." It was audible, too, in his delightful conversation,
which was vivid, active, and yet never oppressive. He spoke with the
firm accent of one accustomed to govern, but never dictatorially. His
voice was a very agreeable one, supple and various in its tones, neither
loud nor low. Although he had formed the life-long habit of expressing
his opinions with directness, he never imposed them unfairly, or took
advantage of his authority. On the contrary, there was something
extremely winning in his eagerness to hear the reply of his
interlocutor. "Well, there's a great deal in that," he would graciously
and cordially say, and proceed to give the opposing statement what
benefit he thought it deserved. He could be very trenchant, but I do not
think that any one whom he had advanced to the privilege of his
confidence can remember that he was so to a friend.
The attitude of Lord Cromer to life and letters--I speak, of course,
only of what I saw in the years of his retirement from office--was not
exactly representative of our own or even of the last century. He would
have been at home in the fourth quarter of the eighteenth century,
before the French Revolution. I judge him to have been born with an
inflexible and commanding character, which in the person of many men
exposed to such dangerous successes as he enjoyed might have degenerated
into tyranny. On Lord Cromer, on the other hand, time produced a
humanising and mellowing effect. It may very well prove that he has
stamped his mark on the East of the twentieth century, as Turgot did his
on the West of the nineteenth century; but without straying into the
perilous fields of prophecy we are safe in recording the impression that
Lord Cromer was not altogether a man of to-day; he looked forward and he
looked backward. Probably the nearest counterpart to his manner of mind
and conversation may be found in the circle of whom we read in the
_Diary_ of Fanny Burney. We can conceive Lord Cromer leaning against the
Committee Box in earnest conversation with Mr. Windham and Mr. Burke at
Warren Hastings' trial. We can restore the half-disdainful gesture with
which he would drop an epigram ("from the Greek") into the Bath Easton
Vase. His politeness and precision, his classical quotations, his
humour, his predilections in literature and art, were those of the inner
circle of Whigs nearly a century and a half ago, and I imagine that
their talk was very much like his.
He was fond of repeating Bagehot's description of the Whigs, and it
seems to me to apply so exactly to himself that I will quote part of
it:--
Public-domain text, read in full here on John Shaqi.
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